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Black Camera: A Micro Journal of Black Film Studies

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The BFC/A accepts scholarly articles by or about Blacks in Film.
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Current Issue:

Volume 21.2, Fall/Winter 2006

  • Director's Notes
    by Michael T. Martin
  • Archive Spotlight: Early 16mm Musicals
    by Paul C. Heyde
  • Focus on St. Clair Bourne: Pride in the Panther (includes interview and update on Mr. Bourne's current documentary work-in-progress on the Black Panther Party)
  • Thirty Years Later: Exploring Gordon Parks as Auteur Through the Leadbelly Lens
    by L. Roi Boyd, III
  • Far from Home: A Black Camera Movie Review
    by Tanisha Ford
  • A Black Camera Book Review: Jacqueline Najuma Stewart’s Migrating to the Movies: Cinema and Black Urban Modernity
    by Joseph Germain Keehn II
  • A Black Camera Interview: Audrey T. McCluskey
    by Cory Brodnax
  • From the Archive
    by Paul C. Heyde

Previous Issues:

Volume 21.1, Spring/Summer 2006

Volume 20.2, Fall/Winter 2005

  • Director's Notes: Back in the Day...When Men were Men and Women were Fragile and "True"
    by Audrey T. McCluskey
  • Doing it Her Way: An Interview with Jessie Maple
    by Audrey T. McCluskey
  • Movie Review: Four Brothers by John Singleton: An Old Formula; A New Market
    by Anthony McCosham
  • No Laughing Matter: Spencer Williams, Jr.'s Christian Moral Vision in The Blood of Jesus
    by Damien Strecker
  • Black Film Fact
  • The BFC/A Acquires the Jessie Maple Collection
    by Paul C. Heyde
  • News From the Archive
    by Paul C. Heyde
  • On the Bookshelf

Volume 20.1, Spring/Summer 2005

  • Director's Notes: Laying Down Burdens: Of Remembrance and New Beginnings
    by Audrey T. McCluskey
  • Emerging Voices: New Black Filmmakers - "We Have Too Few Heroes" and "We Have to Continue to Bring Forth New Stories"
    by Audrey T. McCluskey
  • Remembering Ossie Davis, 1917-2005
    by Phyllis R. Klotman
  • The Making of a Documentary: Highlights from the Visit of Artist-In-Residence, Salem Mekuria
    by Jennifer Heusel
  • Black Film Classics: History Re-Told: The Power of Cultural Knowledge in Euzhan Palcy's Sugar Cane Alley
    A Film Review by Laila Amine
  • Following the Chisholm Trail: The "Unbought and Unbossed" Campaign
    by Jennifer Heusel
  • On the Bookshelf/Film Acquisitions
  • News From the Archive
    by Paul C. Heyde

Volume 19.2, Fall/Winter 2004

  • Director's Notes: (South) African on my Mind
    by Audrey T. McCluskey
  • South African Filmmaker Zola Maseko: "We are in the Process of Making a Tradition"
    Interviewed by Audrey T. McCluskey
  • Julie Dash's Aesthetic Vision
    by Laila Amine
  • Sisters of the Screen: Women Warriors of Cinema: Beti Ellerson Presents Africana Women Filmmakers
    by Jennifer Heusel
  • Black Film Fact
  • Filmmaker Salem Mekuria to Conduct Workshop at IU
    by Eileen Julien
  • News From the Archive
    by Paul C. Heyde
  • On the Bookshelf/Film Acquisitions

Volume 19.1, Spring/Summer 2004

  • Director's Notes: Djimon Hounsou's "Magical" Performance
    by Audrey T. McCluskey
  • Telling Truth and Taking Names: An Interview with Spike Lee
    Interviewed by Audrey T. McCluskey
  • School Daze: A Reflection - Sixteen Years Later
    by Ketwana Wilson-McCormick
  • News From the Archive
    by Paul C. Heyde
  • New BFC/A Endowment Campaign
  • Hollywood and The Civil Rights Movement
    by Jason Housley
  • Black Film Fact

Volume 18.2, Fall/Winter 2003

  • Director's Notes: Imaging Blackness, 1915-2002: Exhibit Documents Black Hollywood through Film Posters
    by Audrey T. McCluskey
  • An Interview with Dr. Edward Mapp: A Passion for Collecting Black Film
    Interviewed by Audrey T. McCluskey
  • Dr. Edward Mapp: "African Americans in Cinema: An Enduring Odyssey"
    by Ketwana Wilson-McCormick
  • Black Film Fact
  • 8 Mile: Great White Hip-Hop
    A Film Review by Steven L. Burks
  • News From the Archive
    by Paul C. Heyde
  • The BFC/A Announces the New William Greaves Collection
  • CD-ROM Review: "African Americans in Cinema: The First Half Century"
    by Paul C. Heyde

Volume 18.1, Spring/Summer 2003

Volume 17.2, Fall/Winter 2002 *

  • Director's Notes: Can't Get No Satisfaction: Black Actors in Hollywood
    by Audrey T. McCluskey
  • Black Film Center/Archive Founding Sponsors Ossie Davis and Ruby Dee Visit Indiana University
    Interviewed by John McCluskey
  • BFC/A Director Presents Spike Lee with the Oscar Micheaux Distinguished Achievement Award
    by Audrey T. McCluskey
  • Monster's Ball: Hollywood's Grotesque History and/or Something Else Besides?
    A Film Review by Crystal L. Keels
  • Hollywood Bait and Switch: The 2002 Oscars, Black Commodification, and Black Political Silence (Part One)
    by Tyrone R. Simpson II
  • Zora, O Zora!: A Celebration of the Work of Zora Neale Hurston
    by Crystal L. Keels
  • Black Film Fact
  • On Our Bookshelf
  • News from the Archive
    by Paul C. Heyde

Volume 17.1, Spring/Summer 2002

  • Director's Notes: Haunting History with Truth: The Middle Passage (1999)
    by Audrey T. McCluskey
  • Kickin' Science: Legendary Filmmaker Melvin Van Peebles is Inaugural BFC/A Artist-In-Residence
    by Crystal L. Keels
  • Filmmaker Gloria Rolando: Exploring Complex Cuban Roots
    by Audrey T. McCluskey
  • Communal Cinema in a Global Context
    by Nokwenza kaPlaatje
  • Lumumba: A Life, A Symbol
    A Film Review by Damon Freeman
  • Black Orpheus (1959)
    A Film Review by Natia L. Steans
  • Remembering Rogosin
    by Peter Davis
  • Black Film Fact
  • From the Archive
    by Jenny Beasley

Volume 16.2, Fall/Winter 2001

  • Director's Notes: Pryor's Pain, Our Gain
    by Audrey T. McCluskey
  • James Alan McPherson Lecture Highlights Richard Pryor Film Retrospective
    by Crystal L. Keels
  • Maya Angelou: Telling the Truth, Eloquently
    by Audrey T. McCluskey
  • Promises Deferred: Race Star Trek, and the Future on Television
    Book Review by De Witt Douglas Kilgore
  • Boarding House Blues (1948)
    A Film Review by Natia L. Steans
  • The Richard Pryor Film Retrospective
    by Crystal L. Keels
  • Black Film Fact
  • On Our Bookshelf
  • From the Archive
    by Jenny Beasley

Volume 16.1, Spring/Summer 2001

  • Director's Notes: A Hollywood State of Mind
    by Audrey T. McCluskey
  • Tina Andrews: Having Her Say
    Interviewed by Audrey T. McCluskey
  • Bamboozled by Blackness -- Movie Review
    by Christy Tondeur
  • Recovering the First Black Film Mogul: Oscar Micheaux -- Book Reviews
    by Tryone Simpson
  • A BFC/A Website Poll: What is your favorite American Black Film?
  • Forgotten Black Treasures: Oscar Micheaux and Spencer Williams -- Film Series with IU City Lights
  • What They Say?: Black Speech in American Film -- A Research Report
    by Rose Wilkerson
  • Quadroon Blues -- Movie Review
    by Natia Steans
  • Black Film Fact
  • Recovering History: A Fool and His Money -- Movie Review
    by David Navone
  • From the Archive
    by Gayla Koerting and Monique Threatt

Volume 15.2, Fall/Winter 2000 *

  • Director's Notes: The Price of Realness: "Bling Bling" at the Movies
    by Audrey T. McCluskey
  • Interview with Melvin Van Peebles: Renaissance Man
    by Audrey T. McCluskey
  • Blackness for Sale: Movie Review of Black and White
    by Matthew Oware (additional material by Tyrone Simpson)
  • Lessons through Love -- A Book Review of With Ossie & Ruby: In this Life Together by Ossie Davis and Ruby Dee
    by Marcia A. Berry (with additional material by Audrey T. McCluskey)
  • One Woman's Hoops & Dreams -- A Movie Review of Love & Basketball
    by Shana Brodnax
  • Measuring "Mr. Tibbs" -- A Book Review of The Measure of a Man: A Spiritual Autobiography by Sidney Poitier
    by Grace Jackson-Brown (with additional material by Tyrone Simpson)
  • Black Talent, Front and Center: A Review of Afrocentricity
    by Tyrone Simpson
  • BFC/A Outreach: Embracing Our Communities
  • "Real to Reel: Urban and Hip Hop Culture in American Film" Mini Festival
  • In Memoriam: Beah Richards (1926-2000)
  • Black Film Fact
  • From the Archive
    by Monique L. Threatt

Volume 15.1, Spring/Summer 2000 *

  • Director's Notes: Same Yoke, Different Strokes
    by Audrey T. McCluskey
  • Interview with Haile Gerima: Cultural Warrior
    by Audrey T. McCluskey
  • Eugene "Pineapple" Jackson: His Own Story; A Book Review
    by Crystal L. Keels
  • An Up and Coming Director--Robert Hardy (Trois, 1999); A Movie Review
    by B. Afena Cobham
  • The Blood of Jesus: Timeless Black Values
    by Mark Giles
  • From the Archive
    by Monique L. Threatt
  • BFC/A Hosts Carl Franklin
  • Milestones in Black Film History: The Lincoln Motion Picture Company (1916-1923)
    by Michelle L. McClure
  • Sankofa: "One Must Return to the Past in Order to Move Forward"; A Film Review
    by Michelle L. McClure
  • Black Film Fact
  • On Our Bookshelf
  • Advertisement: Genesis
  • BFC/A's First International Film Festival "Films of the African Diaspora: Bridging Cultures through Film;" Highlights

Volume 14.2, Fall/Winter 1999

  • Director's Notes: Re-Imagining Ourselves
    by Audrey T. McCluskey
  • A Conversation with Taye Diggs
    by Audrey T. McCluskey
  • Introducing Filmmaker: Malcolm D. Lee (Director/Screenwriter)
    by Michelle L. McClure
  • The Best Man: A Movie Review
    by Afena Cobham
  • Super Soul Flicks
  • BFC/A Staff
  • Milestones in Black Film History Oscar Micheaux (1884-1951)
    by Michelle L. McClure
  • From the Archive
    by Monique L. Threatt
  • Black Film Fact
  • Reel to Real: Race, Sex, and Class at the Movies; A Book Review
    by Ricky Von Johnson
  • Dorothy Dandridge: A Biography; A Book Review
    by Michelle L. McClure
  • Upcoming Events: "Films of the African Diaspora," March 23-25, 2000

Volume 14.1, Spring/Summer 1999

  • From the Director: In Retrospect
    by Phyllis R. Klotman
  • Zora at the Society for Cinema Studies
  • From the Archive
  • Review: Angelou Depicts Family Renewal
    by Aimee Hall
  • We Say Goodbye to Ester Rolle (1920-1998)
  • Review: Medusa Redux
    by Jennifer Breen
  • Amistad Colloquium Raises Questions of Critical Dialogue
    by Jennifer Breen
  • Commentary: Slavery on the Big Screen
    by Walton Muyumba
  • Review: The Mask of Art: Breaking the Aesthetic Contract--Film and Literature, by Clyde R. Taylor
    by Rebecca Wood
  • Growing Up Gerard
    by Tyrone Simpson
  • Struggles for Representation: African American Documentary Film and Video
    Phyllis R. Klotman and Janet K. Cutler, eds.
  • Commentary: Shafted Victory
    by Tyrone Simpson
  • Review: White Laager and Generations of Resistance
    by Shane D. Graham
  • Advertisement for White Laager, Generations of Resistance, Winnie Mandela, and Remember Mandela!

Volume 13.2, Fall/Winter 1998

  • From the Director
    by Phyllis R. Klotman
  • An Interview with Lady Lane
    by Jennifer Breen
  • A Reader Responds: Eugene W. Jackson
  • BFC/A Visiting Researcher: Charles Taylor
    by Charles Taylor
  • Jean-Marie Teno and Anti-Documentary
    by Ray Privett
  • The Politics and Pleasures of Teaching Black Media
    by Jacqueline Stewart
  • Film Review: Beloved
    by Walton Muyumba

Volume 13.1, Spring/Summer 1998 *

  • From the Director
    by Phyllis R. Klotman
  • Hollywood's First Black Sounds: Hearts in Dixie
    by Aimee Hall
  • Amistad: A Vision for the Future
    by Louise Bernard
  • Paul Robeson, April 8, 1998 -- The Centennial of his Birth
    by Phyllis R. Klotman
  • Reviews: A Festival of Cinema
    by Radiclani Clytus
  • Soldiers without Swords
    by Aimee Hall
  • Eve's Bayou
    by Frances Gateward

Volume 12.2, Winter 1997-98

  • From the Director
    by Phyllis R. Klotman
  • Remembering Tupac Shakur
    by Edward Pavlic
  • The Pedogogy of Slavery: Understanding Literacy in Charles Burnett's Nightjohn
    by Radiclani Clytus
  • From the Archive: The Men of Montford Point
  • New Resources Contextualize Black Filmmakers (Women Filmmakers of the African and Asian Diapora: Decolonizing the Gaze, Locating Subjectivity
    by Audrey Foster; Reel Black Talk: A Sourcebook of 50 American Filmmakers by Spencer Moon)
    by Aimee Hall
  • Yvonne Welbon: Discussing Community and Culture on the I.U. Campus

Volume 12.1, Summer 1997

  • From the Director's Chair
    by Phyllis R. Klotman
  • Ayoka Chenzira: One Step at a Time
    by Aimee Hall
  • FESPACO 97: Celebrating African and Diasporic Film
    by Zeinabu irene Davis
  • FESPACO Nights in Michigan
    by Eileen Julien
  • Radiclani Clytus Reviews Get on the Bus directed by Spike Lee
  • From the Archives: On Becoming a Women
  • In Darkest Hollywood: Historicizing South African Cinema
    by Aimee Hall

Volume 11.2, Winter/Spring 1996-97

  • From the Director's Chair
    by Phyllis R. Klotman
  • Julie Dash: Filmmaking within a Culture of Women
    by Aimee Hall
  • In Other News
    by Monique Threatt
  • Red Carnelian: Fostering Black Film
  • From the Archives: Streetcorner Stories
    by Susanne Schwibs

Volume 11.1, Spring/Summer 1996

  • From the Director's Chair
    by Phyllis R. Klotman
  • Norman Collection Inventoried
    by Jill Moniz
  • In Other News
  • Gone but Never Forgotten: B. McQueen, M. Sinclair, R. Cash and T. Cade Bambara
    by Gloria J. Gibson
  • Dwight E. Brooks Reviews: Black Film/White Money
    by Jesse A. Rhines
  • Film Review by Andrea M. Morehead: Vintage: Family of Values

Volume 10.2, Winter 1995

  • From the Director's Chair
    by Phyllis R. Klotman
  • Bernie Casey visits Black Film Center/Archive
  • Critic's Corner: Mother of the River
    by Sergio Alejandro Mims
  • A Conversation with Carmen Coustaut
    by Andrea M. Morehead

Volume 10.1, Spring 1995

  • From the Director's Chair
    by Phyllis R. Klotman
  • In Other News
  • Madam Sul-Te-Wan and D.W. Griffith
    by Gloria J. Gibson-Hudson
  • Reel News
  • Nelson Mandela: Prisoner to President
    by Laura Crain
  • Interview with Alfred Wiggins. December 11, 1994
    by Richard Pierce

Volume 9.1, Summer 1994

  • An Exciting Time for Black Cinema
    by Gloria J. Gibson-Hudson
  • BFC/A Monograph Now Available: In Touch with the Spirit: Black Religious and Musical Expression in American Cinema
  • Black Cinema: A Celebration of Pan-African Film. Tisch School of the Arts, New York University 22-30 March 1994
    by Louise Bernard
  • Tributes:
    • Jackie Shearer (1946-1993)
      by Zeinabu irene Davis
    • Marlon Riggs's Legacy of Simple Truth (1957-1994)
      by Audrey Levasseur

Volume 8.1, Fall 1993

  • From the Director's Chair
    by Phyllis Klotman
  • When Black Women Filmmakers Speak...Claudia Polley--Indiana's Black Woman Film Producer
    by Jill Smith
  • Docutainment Filmmaker: Michelle Parkerson
    by Phyllis Klotman
  • Camille Billops: Cultural Archaeologist
    by Janet Cutler and Phyllis Klotman
  • Discovery Through Cinema: An Interview with Carroll Parrot Blue
    by Gloria Gibson-Hudson
  • Reel News
  • When Girlz N the Hood Become Reel Women: A Call for Alternative Images
    by Breshaun Joyner

Volume 7.1, Spring/Summer 1993

  • From the Director
    by Phyllis R. Klotman
  • Filmmakers at IU
    by Kern Jackson and Jill Smith
  • Reel News
  • Donations--Peter Davis collection, Donna Mungen, Indianapolis Public Library
  • In Other News
  • Conference Participants
  • Revisiting the Spirit: Highlights of the BFC/A Summer Conference
    by Tawanna R. Brown

Volume 6.1, Spring/Summer 1991 *

  • From the Director-Fespaco 91
    by Phyllis R. Klotman
  • Black Film: Mo' Better in the '90s
    by Ed Guerrero
  • 1990-1991 BFC/A Staff
  • Reel News
  • Invisible Men Made Visible: Review of Tongues Untied
    by Bill Stanford Pincheon
  • Excerpt from an interview with Les Blank
    by Gloria J. Gibson-Hudson

Volume 5.1, Spring 1990 *

  • From the Director
    by Phyllis R. Klotman
  • In Visible Colours: An International Women of Colour and Third World Women Film/Video Festival and Symposium
    by Gloria J. Gibson-Hudson
  • A New Life: Independent black filmmaking during the 1980's
    by Sergio Alejandro Mims
  • In Retrospect:Do the Right Thing
    by Tracy Snipe
  • Reel News

Volume 4.1, Spring 1989 *

  • BFC/A Festival Highlights
    by Gloria J. Gibson-Hudson
  • From the Director
    by Phyllis R. Klotman
  • Spencer Williams
    by Adrienne Lanier Seward
  • A Year in Review
    by Allen Johnson
  • In Memoriam: Kathleen Collins Prettyman and Bill Gunn

Volume 3.1, Winter 1988 *

  • BFC/A Festival Highlights
    by Gloria J. Gibson
  • From the Director
    by Phyllis R. Klotman
  • Latin American Film
    by Pat Aufderheide
  • Reel News
  • Michelle Parkerson Interview
    by Gloria J. Gibson
  • Round Midnight: A Critique
    by K.L. Ware

Volume 2.1, Winter 1987 *

  • From the Director
    by Phyllis R. Klotman
  • Tribute to Lorenzo Tucker
    by Phyllis R. Klotman
  • The Fifth Annual Blacklight Film Festival
    by Sergio Mims
  • BFC/A Plans Unique Festival
  • In Perspective: Blacks and the Movies: "Hollywood's State of Disgrace"
    by Mike Pearson
  • Monsters, Aliens and Plants: Reincarnated Stereotypes in Hollywood Cinema
    by Gloria J. Gibson
  • From the Archives: Historical Perspective: Film Music of The Green Pastures and The Blood of Jesus
    by Gloria J. Gibson
  • In Review: Who Says "She's Gotta Have It?"
    by Elizabeth Hadley Freydberg
  • Fast Forward: Cinema Bytes
    by Ronald R. Smith

Volume 1.2, Winter 1985 *

  • Film Festival/Workshop Brings Together Artists, Audience, and Issues
    by Sharon Dean and Frances Stubbs-Palmer
  • In Focus: "There Are Many Stories to be Told and Many Battles to Begin"
    by Gloria Gibson
  • From the Director: Black Films Debut in China
    by Phyllis R. Klotman
  • From the Archives: MGM/UA Donates Films to Black Film Center/Archive
  • From the Filmmakers: Kathleen Collins, Mikki Grant, Duane Jones, Larry Clark, William Greaves, Woodie King, Alile Sharon Larkin, Spencer Moon
  • In Perspective: "The Gods Must Be Crazy" or "Apartheid in Technicolor"
    by Barbara Moss
  • In Perspective: The 4th Annual Blacklight Film Festival
    by Sergio Mims

Volume 1.1, Summer 1985 *

  • BFC/A Workshop/Festival Not Just Another Film Conference
    by Sharon Dean
  • In Focus: Woodie King Caps Festival with Tribute to Julian Mayfield
    by Frances Stubbs-Palmer
  • From the Director: A Letter Home
    by Phyllis Klotman
  • From the Archives:
    The Norman Motion Picture Company Collection: A Real Find
    by Gloria Gibson
  • In Perspective: Are Minorities Changing Hollywood's Status Quo?
    by Mike Pearson
  • In Perspective: The 9th Pan-African Film Festival
    by Manthia Diawara

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