Reading List for “Teaching East Asian Literature in the High School”

Summer Workshop 2000

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I. Traditional Chinese Literature

Excerpts from the Classic of Poetry:

“Fishhawk” and “The Han So Wide” in Owen, Stephen. Anthology of Chinese Literature: Beginnings to 1911 (New York: Norton, 1996), p. 30-32.

Excerpts from Confucius’ Analects.

In Debary, William Theodore, et al. Sources of Chinese Tradition (New York: Columbia University Press, 1960), p. 24-30.

Excerpts from the Chuang-tzu.

In Watson, Burton, trans. Chuang-tzu: Basic Writings (New York: Columbia University Press, 1964), p.40-47, 58-59.

Tsai Chih-chung. Zhuangzi Speaks: The Music of Nature (Princeton, NJ: Princeton University Press, 1992).

Si-ma Qian’s “Letter in Reply to Ren An”

In Owen, Stephen. Anthology of Chinese Literature: Beginnings to 1911 (New York: Norton, 1996), p. 136-142.

Selected Poetry and Prose of T’ao Ch’ien

“Written While Drunk” and “Putting the Blame on his Sons” in Birch, Cyril. Anthology of Chinese Literature, Vol. I (New York, Grove Press, 1965), p. 184 and 187,

“The Peach Blossom Spring” in Mair, Victor. The Columbia Anthology of Traditional Chinese Literature. (New York: Columbia University Press, 1994), p. 578-580.

Selected Poetry of Li Po

“Bring the Wine!” and “Autumn Cove” in Watson, Burton. The Columbia Book of Chinese Poetry: From Early Times to the Thirteenth Century (New York: Columbia University Press, 1984), p. 207-209.

Selected Poetry of Du Fu

“The View in Spring” in Owen, Stephen. Anthology of Chinese Literature: Beginnings to 1911 (New York: Norton, 1996), p.420 and “Taking Down a Trellis,” “I Stand Alone,” “The River Flooded,” and “River Village” in Owen, p. 426-27.

Po Chü-yi’s “Song of Unending Sorrow”

In Birch, Cyril. Anthology of Chinese Literature, Vol. I (New York, Grove Press, 1965), p. 266-69.

Yuan Chen’s “The Story of Ts’ui Ying-ying

In Birch, Cyril. Anthology of Chinese Literature, Vol. I (New York, Grove Press, 1965), p. 290-299.

Po Hsing-chien’s “The Story of Miss Li”

In Birch, Cyril. Anthology of Chinese Literature, Vol. I (New York, Grove Press, 1965), p. 300-313.

Ma Chih-yuan’s Autumn in the Palace of the Han

In Birch, Cyril. Anthology of Chinese Literature, Vol. I (New York, Grove Press, 1965), p. 422-448.

“The Pearl-Sewn Shirt”

In Birch, Cyril, trans. Stories from a Ming Collection (Bloomington, IN: Indiana University Press, 1959), p.39-96.

Cao Xueqin’s The Story of the Stone (The Dream of the Red Chamber), ch. 1-6

In Hawkes, David, trans. The Story of the Stone: A Novel in Five Volumes (Bloomington, IN: Indiana University Press, 1979), p. 47-166.

II. Modern Chinese Literature

Lu Xun’s “A Madman’s Diary”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 7-15.

Lu Xun’s “Medicine”

In Yang Xianyi and Gladys Yang, trans. The Complete Stories of Lu Xun (Bloomington, IN: Indiana University Press, 1981), p. 19-27.

Yu Dafu’s “Sinking”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 44--69.

Xu Zhimo’s “Second Farewell to Cambridge”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 503.

Wen Yiduo’s “Dead Water”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 506.

Lu Xun’s “Autumn Night”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 595-596.

Zhu Ziqing’s “The Moonlit Lotus Pond”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 630-32.

Dai Wangshu’s “Rainy Alley”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 513-14.

Shen Congwen’s “Xiaoxiao”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 97-110.

Ding Ling’s “When I was in Xia Village”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p.143-158.

Zhang Ailing’s “Sealed Off”

In Lau, Joseph S.M. and Howard Goldblatt, eds. The Columbia Anthology of Modern Chinese Literature (New York: Columbia University Press, 1995), p. 188-197.

Lu Xinhua’s “The Wounded”

In Dernberger, Robert F., et al. The Chinese: Adapting the Past, Building the Future (Ann Arbor, MI: Center for Chinese Studies, University of Michigan, 1986), p. 591-604.

Bei Dao’s “In the Ruins”

In McDougall, Bonnie S., ed. Waves: Stories by Bei Dao (New York: New Directions, 1990), p. 1-8.

Selected poems of Bei Dao

“Perfect,” “February,” “Showing Up,” “Untitled,” and “Landscape over Zero” in Landscape over Zero, translated by David Hinton and Yanbing Chen (New York: New Directions, 1996), p. 11, 19, 25, 69, 73.

Su Tong’s Raise the Red Lantern

In Raise the Red Lantern: Three Novellas, translated by Michael S. Duke (New York: William Morrow and Co., 1993), p. 11-99.

III. Traditional Japanese Literature

Excerpts from Man’yōshū

In Keene, Donald, ed.. Anthology of Japanese Literature: From the Earliest Era to the Mid-nineteenth Century (New York, Grove Press, 1955), p. 33-53.

Excerpts from Kokinshu

In McCullough, Helen Craig, trans. Kokin Wakashū: The First Imperial Anthology of Japanese Poetry (Stanford: Stanford University Press, 1985), Ariwara Narihira’s numbers 410-411, 476, 616, 622, 632, 644, 706-707, 747, and 884; Ono no Komachi’s numbers 113, 552-554, 556-557, 623, 656-657, 727, 782, 797, 822, 1030.

Excerpts from Sei Shōnagon’s The Pillow Book

In Morris, Ivan, trans. The Pillow Book of Sei Shōnagon. (New York: Columbia University Press, 1991), p. 21, 39-40, 44-50, 69-70, 81-86, 114-116, 171, 182-184, 216-218.

Murasaki Shikibu’s The Tale of Genji, “Evening Faces” chapter

In Seidensticker, Edward G., trans. The Tale of Genji (New York: Knopf, 1981), p. 57-83.

Selected Setsuwa tales

In Tyler, Royall, trans. Japanese Tales (New York: Pantheon, 1987), numbers 26, 64-65, 68, 113-118.

In Ury, Marian, trans. Tales of Times Now Past: Sixty-Two Stories from a Medieval Japanese Collection (Berkeley: University of California Press, 1979), numbers 22-23, 31.

Excerpts from The Tale of Heike

In McCollough, Helen, trans. Genji and Heike: Selections from the Tale of Genji and The Tale of Heike (Stanford: Stanford University Press, 1994), episodes 1.1, 1.6, 6.7.

Excerpts from Yoshida Kenkō’s Essays in Idleness

In McCullough, Helen Craig, trans. Classical Japanese Prose. (Stanford: Stanford University Press, 1991), sections 7, 25, 53, 74, 82, 122, 137, 145, 149, 166, 189, 207.

Excerpts from Matsuo Bashō’s The Narrow Road to the Deep North

In Yuasa Nobuyuki, trans. The Narrow Road to the Deep North and Other Travel Sketches (Harmondsworth: Penguin, 1966), p. 117-123.

Chikamatsu Monzaemon’s The Love Suicides at Sonezaki

In Keene, Donald, ed.. Anthology of Japanese Literature: From the Earliest Era to the Mid-nineteenth Century (New York, Grove Press, 1955), p. 391-409.

IV. Modern Japanese Literature

Kōda Rohan’s “Encounter with a Skull”

In Mulhern, Chieko Irie Mulhern, trans. Pagoda, Skull and Samurai: Three Stories (Ithaca, NY: Cornell China-Japan Program, 1982), p. 90-118.

Higuchi Ichiyō’s “The Thirteenth Night”

In Danly, Robert, Lyons. In the Shade of Spring Leaves: The Life and Writings of Higuchi Ichiyō, A Woman of Letters in Meiji Japan (New Haven: Yale University Press, 1981), p. 241-253.

Akutagawa Ryūnosuke’s “In a Grove”

In Kojima Takashi, trans. Rashōmon and Other Stories (New York: Liveright, 1952), p. 19-33.

Akutagawa Ryūnosuke’s “Rashōmon”

In Kojima Takashi, trans. Rashōmon and Other Stories (New York: Liveright, 1952), p. 34-44.

Edogawa Rampo’s “The Hell of Mirrors”

In Japanese Tales of Mystery and Imagination, translated by James B. Harris (Rutland, VT.: Charles E. Tuttle Co., 1956), p. 109-122.

Dazai Osamu’s “A Sound of Hammering”

In Japan Quarterly 16, no.2 (April-June 1969): 194-202.

Junji Kinoshita’s “The Twilight Crane

The Twilight Crane. In Playbook: Five Plays for a New Theatre ( Norfolk, CT.: New Directions, 1956), p. 131-159.

Mishima Yukio’s “The Priest of Shiga Temple and his Love”

In The World of Japanese Fiction, edited by Arthur O. Lewis and Yoshinobu Hakutani (New York: E.P. Dutton & Co., Inc., 1973), p. 291-307.

Enchi Fumiko’s “A Bond for Two Lifetimes—Gleanings”

In Rabbits, Crabs, etc.: Stories by Japanese Women, translated by Phyllis Birnbaum (Honolulu: University of Hawaii Press, 1982), p. 27-47.

Takahashi Takako’s “Congruent Figures”

In Lippit, Noriko Mizuta and Kyoko Iriye Selden. Japanese Women Writers: Twentieth Century Short Fiction (Armonk, NY: M.E. Sharpe, 1991), 168-193.

Excerpts from Nakazawa Keiji’s Barefoot Gen

In Nakazawa Keiji. Barefoot Gen (Hadashi no Gen), translated by Project Gen (Philadelphia: New Society, 1987), p. 1-35, 240-284.

Tsutsui Yasutaka’s “Standing Woman”

In The Best Japanese Science Fiction Stories, edited by John L. Apostolou (New York: Dembner Books, 1989), p. 130-143.

Oba Minako’s “The Smile of a Mountain Witch”

In Japanese Women Writers: Twentieth Century Short Fiction, translated and edited by Noriko Mizuta Lippit and Kyoko Iriye Selden (Armonk, NY: M.E. Sharpe, 1991), p. 194-205.

Banana Yoshimoto’s Kitchen, Part I

In Banana Yoshimoto. Kitchen (New York: Washington Square Press, 1994. p. 3-43.

V. Asian American Literature

Li-young Lee’s “Rain Diary” and “My Sleeping Loved Ones”

In Rose (Brockport, NY.: BOA Editions, 1986), p. 59-65.

David Mura’s “Relocation,” “The Natives,” and “A Nisei Picnic”

In Breaking the Silence: An Anthology of Contemporary Asian American Poets, edited by Joseph Bruchac (New York: Greenfield Review Press, 1983), p. 204-7.

Excerpts from Frank Chin’s Donald Duk

In Donald Duk (Minneapolis, MN: Coffee House Press, 1991), ch. 1-3 .

Velina Hasu Houston’s Kokoro (True Heart)

In But Still like Air, I'll Rise: New Asian American Plays (Philadelphia: Temple University Press, 1997), p. 89 -129.

Excerpts from Chang-rae Lee’s Native Speaker

In Native Speaker (New York: Riverhead Books, 1995), p. 131-155.