Recommended:
·
Chapters 3,5, 6 and 7 in Rhoads Murphey,
Required:
·
Excerpts from Confucius’ The Analects. In Debary, William Theodore, et al. Sources
of Chinese Tradition.
·
Excerpts from Chuang
Tzu In
Watson,
·
SIMA Qian, “Letter in Reply to Ren An” In Owen,
Stephen. Anthology of Chinese Literature:
Beginnings to 1911.
·
TAO Ch’ien, “The Peach Blossom Spring” and “Drinking
Wine” In Mair,
Victor. The
·
“No. 3 Green Beyond Green”
from Nineteen Ancient Poems. In Wai-lim Yip, ed. & trans. Chinese Poetry: An Anthology of Major
Modes and Genres. Duke UP,
1997. p. 68-75. [R]
·
LI Po, “Bring the Wine,” and “Y’ Chien Y’an” In
The
·
WANG Wei, “Bamboo Grove,” “Deer Enclosure, ” and “Bird-Singing Stream” In Wai-lim Yip, ed. & trans. Chinese Poetry: An Anthology of Major
Modes and Genres. Duke UP, 1997.
224-229 [R]
·
MENG Haoran, “Springtime Sleep” and “Stayover at
Chien-The River” In Wai-lim Yip, ed.
& trans. Chinese Poetry: An
Anthology of Major Modes and Genres.
Duke UP, 1997. p. 230-231 [R]
·
DU Fu, “Spring Scene,” In Owen, Stephen. Anthology
of Chinese Literature: Beginnings to 1911
New York: Norton, 1996. p. 420 [R]
·
Zhang Ji, "Night-Mooring at Maple Bridge” In
Wailim Yip, ed. &trans. Chinese Poetry: An Anthology of Major Modes and
Genres. Duke UP, 1997. p. 241 [R]
·
Liu Zongyuan, "River Snow" in Wailim Yip,
ed. & trans. Chinese Poetry: An
Anthology of Major Modes and Genres.
Duke UP, 1997. p. 234 [R]
·
LI Yü, Tune: “Beauty Yü” In Wai-lim Yip, ed. & trans. Chinese Poetry: An Anthology of Major
Modes and Genres. Duke UP, 1997. p.
312-313 [R]
·
MA Zhiyuan, Tunes: “Sky-Pure Sand” In Wai-lim Yip,
ed. & trans. Chinese Poetry: An
Anthology of Major Modes and Genres.
Duke UP, 1997. p. 340 [R]
·
YUAN Chen (Yuan Zhen), “The Story of Ts’iu
Ying-ying” In Birch, Cyril. Anthology
of Chinese Literature, Vol. I. New
York, Grove Press, 1965. p. 290-299. [R]
·
PO Hsing-chien (Bo Xingjian), “The Story of Miss
Li” In Birch, Cyril. Anthology
of Chinese Literature, Vol. I. New
York, Grove Press, 1965. p. 300-313. [R]
·
FENG Menglong, “The Pearl-Sewn Shirt” In Birch, Cyril, trans. Stories
from a Ming Collection. Bloomington,
IN: Indiana University Press, 1959. p.39-96. [R]
Modern Chinese Literature
Recommended:
·
Chapters 8, 14, 17 and 19 in Rhoads Murphey, East Asia: A New
History-Purchased book
Required:
·
LU Xun, “Preface to A Call to Arms,” “A
Madman’s Diary” [Columbia Anthology- purchased book]
·
LU Xun,
“Medicine” In Yang Xianyi and Gladys Yang, trans. The Complete Stories of Lu Xun. Bloomington,
IN: Indiana University Press, 1981. p.
19-27. [R]
·
YU Dafu, “Sinking”
[Columbia Anthology-purchased]
·
Ding Ling, "Shanghai, Pring 1930, Part I":
from I Myself Am a Woman:
Selected Writings of Ding Ling. Ed. Barlow, Tani E., with
Gary J. Bjorge. Boston: Beacon Press,
1989. 112-39.
·
Xu Zhimo, “Second Farewell to Cambridge” [Columbia
Anthology-purchased]
·
Wen Yiduo “Dead Water” [Columbia
Anthology-purchased]
·
Dai Wangshu, "Rainy Alley" [Columbia
Anthology-purchased]
·
SHEN Congwen, “Xiaoxiao” [Columbia
Anthology-purchased]
·
ZHANG Ailing, “Sealed Off” [Columbia Anthology-purchased]
·
LU Xinhua, “The Wounded” In Dernberger, Robert F., et al. The
Chinese: Adapting the Past, Building the
Future. Ann Arbor, MI: Center for
Chinese Studies, University of Michigan, 1986. p. 591-604. [R]
·
BEI Dao, “Perfect,” “February,” “Showing Up,” “Untitled,”
and “Landscape over Zero” In McDougall, Bonnie S., ed. Waves: Stories by Bei Dao. New York:
New Directions, 1990. p. 11, 19, 25, 69, 73 [R]
·
HAN Shaogong, “Homecoming?” In Kwok-Kan Tam, et al.
ed., A Place of One’sOwn: Stories of
Self in China, Taiwan, Hong Kong, and Singapore, Oxford: Oxford University
Press, 1999. [R]
·
SU Tong, Raise
the Red Lantern In Raise the Red Lantern: Three Novellas,
translated by Michael S. Duke New York: William Morrow and Co., 1993. p. 11-99.
[R]