Joan Pong Linton (Email; phone 812-855-2285)
Associate Professor
Ph.D., 1992, Stanford University

RESEARCH INTERESTS
Current project: trickster agency and poetics in early modern English literature and drama.

PARTIAL LIST OF PUBLICATIONS/PRESENTATIONS
Book:
The Romance of the New World: Gender and the Literary Formations of English Colonialism. Cambridge: Cambridge University Press, 1998.

Articles:
"Counterfeiting Sovereignty, Mocking Mastery: Trickster Poetics and the Critique of Romance in Nashe’s Unfortunate Traveller.” Solicited for the critical anthology Early Modern Prose Fiction and the Creation of the Reading Classes, ed. Naomi Liebler. Forthcoming from Routledge Press.

"Kurosawa's Ran (1985) and King Lear: Towards a Conversation on Historical Responsibility." Quarterly Review of Film and Video 23 (2006): 341-51.

"Scripted Silences, Reticence, and Agency in Anne Askew's Examinations." English Literary Renaissance 36 (Winter 2006): 3-25.

"The Plural Voices of Anne Askew." Write or Be Written: Early Modern women Poets and Cultural Constraints. Eds. Ursula appelt and Barbara Smith. Aldershot: Ashgate, 2001. 137-53.

"Watch this Space; Or, Why We Have Not Revised the Teacher Education Program at Indiana University--Yet." Co-authored with Kathryn Flannery, JoAnne Frye, Donald Gray, Mary Beth Hines, and Kenneth Johnston. Preparing a Nation's Teachers: Models for English and Foreign Language Programs. Eds. Phyllis Franklin, David Laurence, and Elizabeth B. Welles. New York: Modern Language Association, 1999. 49-64.

"The Humanist in the Market: Gendering Exchange and Authorship in Lyly's Euphues Romances." Framing Elizabethan Fiction: Contemporary Approaches to Early Modern Prose Narrative. Ed. Constance C. Relihan. Kent OH: Kent State UP, 1996. 73-97; 219-23.

"Jack of Newbery and Drake in California: Domestic and Colonial Narratives of English Cloth and Manhood." ELH 59 (1992), 23-51.

"Mothers and Daughters: The Plural Voices of Cultural Translation in Amy Tan's The Joy Luck Club." Written in collaboration with Liya Yang. Literary Study (Tsukuba University, Japan) 8 (1991), 139-67.