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Reading PhotographsThis text explores some of the potential uses of photographs as documents through an examination of the Wanamaker Collection of American Indian photographs at the William Hammond Mathers Museum.Joseph K. Dixon preparing to photograph a Blackfoot man and his wife, 1913 [W4219]
Introduction
Photographs of American Indians, long used simply as
illustrations or as icons to evoke a emotional response, can
themselves be sources of ethnographic and historical information,
particularly about aspects of material culture. In documenting
artifact use, photographs can supplement museum collections which
often lack that important information. Moreover, while an
individual photograph is a singular record of a moment in time, a
group or series of photographs can be a record across time and
space and can expand the information potential of photographic
interpretation.
Captain Jim, Ariikawis, Pitahawirata Pawnee [W3152]
Extracting such information requires that one read the
photograph. Reading a photograph involves identifying as many
aspects of the images as possible, from the photographer, date,
and photographic technology used to produce the image, through
its subjects and locations, to the artifacts represented in the
image. This process, particularly that of identifying the
artifacts represented in the image, involves a continual cross-
reference between photographs and artifacts, often resulting in
the revision of interpretations of both artifact and photograph--
tribal affiliation, date, and so on. In this way, reading a
photograph moves from the most general aspects of the photograph
as a photograph to its most specific details as a document.
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