Masterclass Handout |
Breathing |
First, open a window and take five or ten nice, full, big breaths and exhale joyfully. Breathing is one of the great things about being alive, and oxygen is good for the brain cells. Make it a point to regularly air your room. I always start a phrase with a full breath. Some schools of playing only inhale as much as they are going to expel, but I enjoy the feeling of starting a trip with a full tank. Almost all brass players talk about breathing (we do play WIND instruments, after all), so there must be something to it. I try to keep the subject as natural as - well, breathing. Sometimes you can listen to brass players talk about breathing at great lengths, and not hear them mention the LUNGS even once! Yet, you can ask almost any 9-year-old about breathing, and the answer will most certainly be about the lungs. Its curious that we tend to lose sight of the simplest, most natural things, sometimes. Chest breath, stomach breath, high breath, low breath: I believe that if your posture is good, and your breathing is unobstructed and natural, then you will be breathing properly. Breathing between phrases is an important issue. Our goal should be to inhale as fully during the instant between the phrases as we did before the piece began. To do this we must: Play the preceding phrase to a nice conclusion, including the end of the last note. (The shaping of the phrase and final note are key in setting up a good breath.)
|