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Anya
Peterson Royce
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| Books | |
| Forth Coming | Becoming an Ancestor: The Isthmus Zapotec Way of Death, State University of New York Press, forthcoming |
| 2004 | The Anthropology of Performing Arts: Artistry, Virtuosity, and Interpretation, AltaMira Press (date of publication May 2004) |
| 2002 | Chronicling Cultures: Long-term Field Research in Anthropology, co-editor with RV Kemper, AltaMira Press. |
| 1984 | Movement and Meaning: Creativity and Interpretation in Ballet and Mime . Bloomington: Indiana University Press. |
| 1982 | Ethnic Identity: Strategies of Diversity . Bloomington: Indiana University Press. |
| 1977 | The Anthropology of Dance. Bloomington and London: Indiana University Press (American Dance Guild Book Club selection for January, 1982) (reprinted 2000, with new introductory chapter by DanceBooks, Ltd.) |
| 1975 | Prestigo y Afiliación en una comunidad Urbana: Juchitán, Oaxaca. (Serie de Antropologia Social #37) Mexico, D.F.: Instituto Nacional Indigenista. (reprinted in 1991) |
| Articles | |
| 2008 | “Voices of the True Peoples: Indigenous Mexican Poets and Writers for the Theater.” Review essay discussing Poetry and Theater, Vols. 2 and 3 of Words of The True Peoples—Palabras de los Seres Verdaderos: Anthology of Contemporary Mexican Indigenous-Language Writers, edited by Carlos Montemayor and Donald Frischmann (Austin: University of Texas Press, 2007). e-misférica 5.2(Hemispheric Institute for Performance and Politics, New York, N.Y.). |
| 2008 | “Dance.” In International Encyclopedia of the Social Sciences, 2d ed., edited by William A. Darity, Jr., 2:223―25. Detroit, Mich.: MacMillan Reference USA. |
| 2007 | “Dance.” In The Encyclopedia of Sex and Gender, edited by Fedwa Malti-Douglas. Farmington Hills, Mich.: Thomson-Gale. |
| 2005 | “Conclusions.” In Anthropologie de la danse: Genèse et construction d’une discipline, edited by Andrée Grau and Georgiana Wierre-Gore, 35-41. Pantin, France: Centre National de la Danse. “Prólogo.” In Juchitán: Testimonios de un pasado mágico, by Gonzalo Jiménez López, 5- 7. Oaxaca de Juarez, Oax.: Instituto Oaxaqueño de las Culturas/CONACULTA/Delegación Regional de Tehuantepec/PACMYAC. |
| 2002 | With RV Kemper, " El Proyecto Etnografico y la Teoria Antropologico," in Homenaje por el Profesor Fernando Camara Barbachano, Mexico , DF, INAH Coleccion Cientifica, pp.139-148. |
| 2002 | With RV Kemper, "Cuestiones Eticas para los antropologos sociales en Mexico : Una perspectiva norteamericano a lo largo plazo," Boletin, Colegio de Etnologos y Antropologos Sociales, A.C., #4, Mexico DF, CEAS, pp.2-11. |
| 2002 | [with Robert V. Kemper] “Long-Term Field Research: Metaphors, Paradigms, and Themes.” In Chronicling Cultures: Long-Term Field Research in Anthropology, edited by Robert V. Kemper and Anya Peterson Royce, xiii–xxxviii. Walnut Creek, Calif.: AltaMira Press. |
| 2002 | "Learning to See, Learning to Listen: Thirty Years of Fieldwork with the Isthmus Zapotec," in Chronicling Cultures: Long-term Field Research in Anthrpology, eds. RV Kemper and AP Royce, AltaMira Press, pp8-33. |
| Poetry published in Qualitative Inquiry (2002, 2004) and in the anthology A Linen Weave of Bloomington Poets (2002) | |
| 1998 | With Robert V. Kemper, "Finding a Footing on the Moral High Ground: Connections, Interventions, and More Ethical Implications," Human Organization 57 (3): 328-330. |
| 1998 | "Commedia dell' Arte," in Encyclopedia of Folklore and Literature, in press. pp.135-138 |
| 1996 | "A Just Community: Social Implications of NAFTA," Keynote address presented at the Congreso Internacional sobre lós impactos del Tratado del Libre Comercio en la Educación, Puebla, Mexico, Universidad Madero, proceedings in press. |
| 1992 | "Music, Dance and Fiesta: Definitions of Isthmus Zapotec Community," Latin American Anthropology Review 3: 51-60, 1991. |
| 1990 | "Ethnicity, Nationalism, and the Role of the Intellectual," Ethnicity and the State , Judith Toland and Ronald Cohen, eds. Volume IX, Political Anthropology Series. Transaction Press, New Brunswick, N.J. and Oxford, UK. (Fall 1991). |
| 1989 | "Who was Argentina? Player and Role in the late 17th c. commedia dell'arte," Theatre Survey 30 (1/2): 45-57. |
| 1987 | [with Anthony Seeger] “Music, Dance, and Drama.” In Latin America: Perspectives on a Region, edited by Jack W. Hopkins, 201–14. New York: Holmes and Meier. | “Limits of Innovation in Dance and Mime.” Semiotica 65(3/4): 269–84. |
| “Masculinity and Femininity in Elaborated Movement Systems.” In Masculinity/Femininity: Basic Perspectives, edited by June Machover Reinisch, Leonard A. Rosenblum, and Stephanie A. Sanders, 315–43. New York: Oxford University Press. | 1986 | "The Venetian Commedia: Actors & Masques in the Development of the Commedia dell'Arte." Theatre Survey 27 , (1/2):69-87. |