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Modules: | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | 10 | 11 | 12 | 13 | 14 | 15 | 16 | 17 | 18 | 19 | 20 | 21 | 22 |
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Resources: | 1 | 2 | 3 | 4 | 5 | Syllabus |
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Syllabus Landscape Archaeology Dr. Elizabeth Kryder-Reid Office Hours: Thurs. 2:30-3:30 pm The course is supported in OnCourse where you can find a copy of this syllabus with direct links to web sites, along with course announcements, your posted grades, and opportunities to continue class discussions online. Course Description: Landscape archaeology is the study and interpretation of past landscapes through the recovery of physical and historical evidence. Landscape archaeology has included excavations of Near Eastern palace gardens, the backyards of Pompeii, the field systems of Mesoamerica, and the gardens of America’s colonial gentry. This course covers a range of topics within landscape archaeology that relate to core principles of the field of archaeology: stewardship of the landscapes through managing and protecting cultural resources, working with descendant communities, archaeological ethics. The course also provides students with opportunities to learn fundamental archaeological skills such as mapping, research design, sampling strategies, remote sensing, applications of GIS to archaeology, and the development of interpretive panels for the public. Finally, through the creation of an interpretive exhibit, the course provides students with an opportunity to integrate and apply their knowledge and to disseminate their own research and interpretations to the public. Course Objectives: At the end of the course, the student should be able to:
Expectations:
Required Reading: All readings for this class are on reserve on the Errol system through the University Library web site (http://errol.ulib.iupui.edu/). Documents may be viewed from any Scholar's Workstation in the library, or from any World Wide Web capable machine anywhere in the world; however, access to the electronic course reserves material is restricted to current students of IUPUI by way of individual class passwords (passwords will distributed in class). Adobe Acrobat Reader software must be installed on the local machine in order to view and print documents. Extra readings for the class projects (Oldfields research design and the Near Westside Landscape exhibit) will be on reserve at the library in hard copy. Portions may be on electronic reserve, but the scope of the material necessitates use of the originals in the library. Class location: The class generally meets in Cavanaugh Hall CA411. Students are required to visit Oldfields and the grounds of the Indianapolis Museum of Art at least once outside of class, and one class will be a walking tour of the Ransom Place neighborhood. If anyone has special mobility concerns for our site visits, please let Dr. Kryder-Reid know in advance. Pictures: During the course, Dr. Kryder-Reid will be taking pictures and video of the class for use in a web-mounted presentation of the course. If you so not wish to have your picture (with no identifying information) used on the web, please make your wishes known at the beginning of the semester. Course Evaluation: The grades for the course will be based on the following assignments with a total of 100 possible points. All assignments must be completed for a passing grade.
The grading scale: 100-98 = A+
Class Schedule, Topics, and Assignments Part I: Introduction Jan. 14: Introduction to Landscape Archaeology Web Sites: Recommended Reading: For an overview of the broader field of environmental archaeology, which is not covered in this class, see Dena F. Dincauze, Environmental Archaeology: Principles and Practice (Cambridge: Cambridge University Press, 2000), book on reserve Read: Julie K. Stein, "Organic Matter in Archaeological Contexts." In Soils in Archaeology: Landscape Evolution and Human Occupation, edited by Vance T. Holliday (Washington DC: Smithsonian Institution Press, 1992), pp.193-216, on reserve Jan. 21: Tools of the Landscape Archaeologist: Kinds of Data and their Recovery – Part 2: Remote Sensing Read: Lawrence B. Conyers, Introduction, In Ground Penetrating Radar: An Introduction for Archaeologists (Walnut Creek: Alta Mira Press, 1997), pp.11-21, on reserve D.N. Riley, "How Sites Show" In Aerial
Photography in Archaeology (Philadelphia: University of Pennsylvania Press, 1987), pp.17-40, on reserve Part II: Framing the Questions Jan. 23: Interpretive Perspectives in Landscape
Archaeology Read: Elizabeth Kryder-Reid, "The California Mission Garden: Invented Landscapes and Layered Meanings." An invited lecture presented at the Department of Art and Archaeology, Princeton University, Princeton, New Jersey, 1999. on reserve Web site: Jan. 28: Interpretive Perspectives in Landscape
Archaeology Read: Sherene Baugher, Visible Charity: The Archaeology, Material Culture, and Landscape Design of New York City’s Municipal Almshouse Complex, 1736-1797" International Journal of Historical Archaeology (2001) 5(2): 175-202. on reserve Jan. 30: Interpretive Perspectives in Landscape
Archaeology Read: Cynthia Kristan-Graham, "A Sense of Place at Chichén Itza." In Landscape and Power in Ancient Mesoamerica, edited by Rex Koontz, Kathryn Reese-Taylor and Annabeth Headrick (Boulder, CO: Westview Press, 2001), pp. 317-369, on reserve Feb. 4: Interpretive Perspectives in Landscape
Archaeology Read: Linda Derry, "Southern Town Plans, Story Telling, and Historical Archaeology." In Archaeology of Southern Urban Landscapes, edited by Amy L. Young (Tuscaloosa: University of Alabama Press, 2000), pp. 14-29, on reserve Feb. 6: Interpretive Perspectives in Landscape
Archaeology Read: George Nash and George Children, "Walking with Landscape Syntax and Narrative: The Experiential of the Buena Vista Rock Art Site, French Glen, Oregon." In Signifying Place and Space: World Perspectives of Rock Art and Landscape, edited by George Nash (BAR International Series 902), (Oxford: Archaeopress, 2000), pp. 163-171, on reserve Feb. 11: Interpretive Perspectives in Landscape
Archaeology Read: James A. Delle, "’A Good and Easy Speculation’: Spatial Conflict, Collusion, and Resistance in Late 16th-Century Munster, Ireland." In International Journal of Historical Archaeology (1999) 3(1): 11-35, on reserve Feb. 13: Interpretive Perspectives: A Synthesis Part III: Developing Research Designs: Oldfields Project Feb. 18: Introduction to Oldfields Guest speaker: Bradley Brooks Read: Oldfields National Historic Register Nomination, on reserve Feb. 20: Garden Archaeology: Research Strategies Read: Karen Bescherer Metheny et al., "Method in Landscape Archaeology: Research Strategies in a Historic New Jersey Garden." In Landscape Archaeology: Reading and Interpreting the American Historical Landscape, edited by Rebecca Yamin and Karen Bescherer Metheny, (Knoxville: University of Tennessee Press, 1996), pp. 6-31. on reserve Feb. 25: American Landscape Design: Country
Houses of the 19th and 20th Centuries William K. Wyckoff, "Landscapes of Private Power and Wealth." In The Making of the American Landscape, edited by Michael P. Conzen (Boston: Unwin Hyman, 1990), pp. 335-354 Feb. 27: NO CLASS – work on Oldfields Project March 4: Assessing the Cultural Significance of Landscapes Read: Charles Birnbaum and Christine Capella Peters, The Secretary of the Interior’s Standards for the Treatment of Historic Properties with Guidelines for the Treatment of Cultural Landscapes (Washington DC: U.S. Department of the Interior, National Park Service, 1996), on reserve March 6: Research Design Development for Oldfields Due: draft of research design and visuals to present in class "poster session" March 11: Maps and Mapping March 13: Using Maps and GIS in Landscape Research Due: Assignment #2 - Oldfields research design project final presentation (see below) SPRING BREAK – Enjoy! Part IV: Developing Public Interpretation: the Landscape of the Near Westside March 25: Ransom Place Archaeology Project Guest speaker: Paul Mullins Read: http://www.iupui.edu/~anthpm/ransom.html March 27: Ransom Place Neighborhood and Sites Tour (directions to be given in class and on OnCourse) Read: Ransom Place Historic Register Nomination, on reserve April 1: Community-Based Archaeology Read: Paul R. Mullins, "African-American Heritage in a Multicultural
Community: George P. Nichols, "Education and Empowerment: Archaeology with, by and for the Shuswap Nation, British Columbia." pp.85-104, on reserve Joe Watkins, K. Anne Pyburn, and Pam Cressey "Community Relations: What the Practicing Archaeologist Needs to Know to Work Effectively with Local and/or Descendant Communities." In Teaching Archaeology in the Twenty-First Century (Washington DC: Society for American Archaeology, 2000), pp. 73-81 April 3: Discussion with Ransom Place Community Members Read: Robert R. Archibald, "Facing the Past." In A Place to Remember: Using History to Build Community (Walnut Creek: Alta Mira Press, 1999), pp. 9-25, on reserve Michael Blakey, "American Nationality and Ethnicity in the Depicted Past" April 8: PowerPoint as an Exhibit Design Tool Read: Steven D. Lavine, "Audience, Ownership, and Authority: Designing Relations between Museums and Communities." In Museums and Communities: The Politics of Public Culture, edited by Ivan Karp, Christine Mullen Kreamer and Steven D. Lavine (Washington DC: Smithsonian Institution Press, 1992), pp. 137-157, on reserve April 10: Presenting Archaeology to the Public: Models for Landscape Archaeology Read: Karen Lee Davis, "Sites without Sights: Interpreting
Closed Excavations." In Presenting Archaeology to the
Public: Digging for Truths, edited by John Jameson, Jr. (Walnut Creek:
Alta Mira Press, 1997), pp. 84-98, on reserve April 15: Studies of African-American Yardscapes Read: Grey Gundaker, "Tradition and Innovation in African-American Yards," African Art (April 1993) 26(2):58-71, 94-96 Recommended Reading: Richard Westmacott, "The Gardens of African-Americans in the Rural South." In The Vernacular Garden, edited by John Dixon Hunt and Joachim Wolschke-Bulmahn (Washington DC: Dumbarton Oaks Research Library and Collection, 1993), pp. 77-105 April 17: Landscapes and Memory Due: Mock-ups of design and draft of text of exhibit panels April 22: Interpreting Sacred Space 1 Read: Keith Basso, "Wisdom Sits in Places: Notes on a Western Apache Landscape." In Senses of Place, edited by Steven Feld and Keith H. Basso (Santa Fe: School of American Research Press, 1996), pp. 53-90 Recommended Reading: De Cunzo et al., "Father Rapp’s Garden at Economy: Harmony Society Culture in Microcosm." In Landscape Archaeology: Reading and Interpreting the American Historical Landscape, edited by Rebecca Yamin and Karen Bescherer Metheny (Knoxville: University of Tennessee Press, 1996), pp. 91-117, on reserve Web site: April 24: Interpreting Sacred Space 2 Read: Gary White Deer, "Return of the Sacred: Spirituality and the Scientific Imperative." In Native Americans and Archaeologists: Stepping Stones to Common Ground, edited by Nina Swidler, et al. (Walnut Creek: Alta Mira Press, 1997), pp. 37-43, on reserve Dorothea J. Theodratus and Frank LaPena, "Wintu Sacred Geography of Northern California" In Sacred Sites, Sacred Places, edited by David L. Carmichael et al. (London: Routledge, 1994), pp. 20-31, on reserve Due: Assignment #3 - Ransom Place research/exhibit project (see below) April 29: Exhibit panel presentations to neighborhood and university community members and invited guests May 1: Summary and Conclusion Sources for Archaeology on the Web American Anthropological
Association:
http://www.aaanet.org Assignments for Landscape Archaeology General Directions: Details for each of the assignments for the class are given in the following pages, but some general directions apply to all three. Your answers should be as long as they need to be in order to complete the assignments, but bear in mind that each assignment worth 30 points is approximately one-third of the final grade. As a guide, however, I would expect the first assignment would take at least 5-7 pages to answer fully. I will read answers of any length. Take care to read the assignments carefully and your sources closely. Construct your arguments logically and support your points with specific evidence. With the exceptions of the exhibit panel (which will be done in PowerPoint or PhotoShop), all work must be typed and double-spaced, with scholarly writing and citations. You may use any standard citation conventions (MLA, AAA, Chicago Manual of Style, etc.) as long as you use it consistently to answer the questions fully. Proofread all work submitted. All assignments must be completed in order to receive a passing grade in the course. Late work will be penalized unless special arrangements are made well in advance. Assignment #1: Comparative Analysis of Landscape Archaeology Readings Directions: Using the readings assigned in Part II of the class, compare the approaches of the authors to the archaeology of landscapes. There is wide latitude in what aspects or the readings you choose to compare, but you should present a clear thesis, construct a convincing and logical argument, and cite specific evidence or examples to support your position. The essay should be 5-7 pages. You may make reference to other sources, but the primary content of your essay should be your own critical and comparative analysis of the readings. You do not need to summarize the readings, but be specific in your references to the readings when using them in support of your argument. To give you clear understanding of the expectations and basis for evaluation, the matrix below presents the criteria for evaluation and their relative weighting out of 20 possible points. Evaluation Criteria for Assignment #1
Directions: Using the material provided in class and on reserve at the University Library, class readings and lectures, discussions with the staff of Oldfields (Mark Zelonis and Bradley Brooks), and your site visit, you are to develop a research design for the landscape archaeology of Oldfields grounds at the Indianapolis Museum of Art. Your recommendations will be presented to Mr. Zelonis in a poster session (March 6th), and the final research designs (due March 13th) will be copied and given to Oldfields as a resource for possible future archaeological investigations. The premise: the IMA Board of Trustees has authorized funds to investigate the Oldfields landscape. The Oldfields curators have identified key research questions and they are circulating an RFP (request for proposals) from archaeology firms. You represent such a firm and you are responding with a proposal consisting of a summary of the clients’ research questions, and your recommended research design including the use of appropriate investigative methods (ex. aerial photography, remote sensing, floral and faunal analysis, trenching, coring, test pits, open excavations) as well as a sampling strategy. NOTE: To simplify the exercise, you do not need to develop a schedule or a budget/bid to accompany the proposal, but in "real life" these would be critical elements. Evaluation Criteria for Assignment #2
Assignment #3: Exhibit Panel Project Directions: Students will work in teams to create exhibit panels interpreting the history of the near Westside landscape including the archaeological research of Ransom Place and the IUPUI campus conducted by Dr. Paul Mullins. Details on the materials to be interpreted, the context of the exhibit, and instruction on exhibit development and design will be presented in class. Evaluation Criteria for Assignment #3
Guide for Reading Review and Discussion Date: as scheduled during part II of course Evaluation: 10 points (Note that this is a team grade (i.e. the grade that the team earns applies to each individual), so group communication and collaboration is significant! Grades will be given based on the thoroughness and thoughtfulness of the content coverage, the innovativeness of the techniques for getting students involved, and the participation of the entire group in the presentation. Description: For Part II of the course, we will be reading various studies in landscape archaeology and discussing them in class. Everyone in the class reads each article, but each class period certain students (the number will depend on enrollment) will be responsible for leading the discussion. They will present a brief synopsis of the argument in the article and then lead the class with discussion questions. Presenters and discussants are strongly encouraged to develop innovative ways to engage students with the questions and issues in the readings. Possibilities include debates, role playing, visualization, and interactive exercises. Students are also encouraged to use visuals in their presentations and discussion moderating. If any technology is needed other than a PC with projector, an overhead, VCR, and slide projector, please notify the instructor at least one class period ahead of time. Students partnering as reviewers and discussants should plan to meet at least once and preferably twice before the class to discuss the readings among themselves and to plan their presentations and discussion moderating. Directions for the whole class: For each of the articles, each student should consider the following common questions, as well as be prepared to discuss others the class discussants may present that are unique to the reading. The common class questions are: 1. What, if any, is the definition of "landscape" used in the reading? 2. What is the scale of landscape being studied? 3. What kinds of data are being analyzed (ex. artifacts, soil layers and features, botanical remains, maps, photographs, paintings, oral history, documents such as deeds, wills, correspondence, diaries)? 4. What are the key words in the reading? 5. How do the authors characterize their theoretical approach to the landscape? 6. How would you articulate the one main idea of this article? 7. What did you learn from this article? |
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