Burke Lecture Series
Robert and Avis Burke Lecture Series
The Robert E. and Avis Tarrant Burke Lecture Series allows the Department of the History of Art to share the research of outstanding scholars with Indiana University students and faculty as well as the larger Bloomington community.
Robert Elisha Burke (1884-1957) was an artist and professor of Fine Arts at Indiana University from 1911 to 1949. Upon his death, Avis Adalaide Tarrant Burke (1886-1984) endowed the Robert E. and Avis Tarrant Burke fund. Mrs. Burke also donated a collection of nineteenth-century clothing and eighteenth- and nineteenth-century fans to Indiana University, which comprises a significant part of the Elizabeth Sage Costume Collection.
The purpose of the Robert and Avis Burke Lecture Series is to share the current research of outstanding scholars with Indiana University students and faculty as well as the larger Bloomington community. We attempt to coordinate the key speakers to the interests of faculty and topics in current courses.
2014 - 2015 Schedule
Friday, October 3, 5:30pm
Dr. H. Perry Chapman
Professor and Interim Chair, History of Art Department
Lecture Title: “Rubens, Rembrandt and the Spousal Model-Muse”
Hope School of Fine Arts, Room 015
Professor H. Perry Chapman received her B.A. in Art History and History from Swarthmore College and her Ph.D. from Princeton University. A specialist in seventeenth-century Dutch art, she teaches about early modern European art, with a concentration in Northern Baroque painting; the history of prints; the relation between artists and society; and research and methodology in art history. Recent seminar topics include “Dutch Painting and Technical Art History,” “The Painter’s Place: The Primacy of Painting in the Dutch Republic,” “Art and Religion: The Netherlands after Iconoclasm,” “Rembrandt and Dutch Art,” “Approaches to Vermeer,” “The Self-Portrait from Dürer to Rembrandt,” “The Art Market in the Dutch Republic,” and “The Artist’s Studio.”
Professor Chapman served as editor-in-chief of The Art Bulletin from 2000 to 2004. She is currently chair of the editorial board of the Nederlands Kunsthistorisch Jaarboek/Netherlands Yearbook for History of Art.
Friday, October 17, 4:00pmHope School of Fine Arts, Room 102
Dr. Maria Gough
Drawing for World Revolution: The Para-Architectural Imagination of Gustav Klutsis
Dr. Maria Gough
Joseph Pulitzer Jr., Professor of Modern Art
Department of the History of Art and Architecture
Maria Gough’s primary area of research and teaching is European Modernism, with a particular emphasis on the Russian and Soviet avant-gardes. Tackling problems in the history of abstraction, drawing, photography, print media, museology, exhibition design, para-architecture, and the relationship between aesthetics and politics, her research has appeared in October, New German Critique, Artforum, Modernism/modernity, RES: Journal of Anthropology and Aesthetics, Parkett, Cahiers du Musée national d'art moderne, and numerous exhibition catalogues; her book on the Constructivist debates of the 1920s, The Artist as Producer: Russian Constructivism in Revolution, was published by the University of California Press in 2005.
Friday, November 14, 5:30pm
Dr. Elizabeth Sears
George H. Forsyth Junior Collegiate Professor of History of Art
Hope School of Fine Arts, Room 102
Elizabeth Sears has two areas of specialization: European representational arts from the eighth through the fourteenth century and historiography. Much of her medieval research has involved close study of manuscripts, but her work has been characteristically thematic and problem-based (e.g. the iconography of sensory perception, author portraits and theories of authorship, guild regulations and the medieval critical eye). Her historiographical research, archive-based, has led her to study methods of image study. Publications include “Eye training: Goldschmidt/Wölfflin,” and treatments of figures standing in the Warburgian tradition including H. W. Janson, W. S. Heckscher, Edgar Wind, Fritz Saxl, Jean Seznec, and Kenneth Clark. She is currently engaged in writing a collective biography, tentatively titled Warburg Circles, 1929-1964, that throws light on a highly influential intellectual movement owed to scholars who emigrated from Germany in the Nazi era.
Tuesday, December 9, 5:30pm
Dr. Mark Abbe
Assistant Professor of Ancient Art History (Ph.D. and Advanced Certificate in the Conservation of Historic and Artistic Works from the Institute of Fine Arts, New York University)
Kelly School of Business, Hodge Hall, Room 223
Mark Abbe teaches a full complement of undergraduate and graduate courses on ancient art history (Greek, Roman, Near Eastern, and Egyptian). A specialist in Greek and Roman antiquity, he approaches works of art as expressions of culture that are best explained by situating them within their historical, social, and philosophical contexts. In addition to extensive archaeological fieldwork in the Mediterranean (Italy, Greece, Turkey, Egypt) and teaching in classical philology, he has professional training in art conservation and the scientific investigation of works of art. He has received research fellowships from the Metropolitan Museum of Art, the Samuel H. Kress Foundation, the Leon Levy Foundation, the American School of Classical Studies, and the American Research Institute in Turkey. A specialist in the study of color in antiquity, his principal areas of current research are on Greek and Roman marble sculpture, particularly issues related to their ancient coloration and polychromy, and the digital visualization of historic materials.
He is the founder of the multidisciplinary Ancient Polychromy Network at the University of Georgia: www.ancientpolychromynetwork.com.
2013 - 2014 Schedule
Friday, April 11 and Saturday April 12, 2014
Miniature and Minor: An ancient studies Conference at Indiana University
The Program in Ancient Studies at Indiana University will host a conference on the miniature and the minor on April 11-12, 2014.
Co-Sponsored by the Robert and Avis Burke Lecture Series
Whereas so much of our research implicitly or explicitly concerns the monumental and the major, we propose to investigate the miniature and the minor from a range of disciplinary perspectives. The art historian might explore cameos or textiles. The literary theorist might explore minor characters or minor works. The historian might explore micro-histories or minor battles. We are interested not only in the realia of the miniature and the minor but in the construction of those categories by both ancients and moderns. We are interested in the miniature and the minor both in their own rights and as counterpoints to the monumental and the major. We are less interested in simply demanding that attention be paid to the neglected or the overlooked.
April 11, 2014
Wylie Hall 015
April 12, 2014
Fine Arts 102
Please go to http://www.indiana.edu/~ancient/events/Con2014.shtml for details
Tuesday, April 8, 2014
Barbara E. Frank, Associate Professor of Art History at Stony Brook University
Lecture title: Mapping West African Cultural Landscapes: Potters, Blacksmiths, Bronzecasters, Leatherworkers, Weavers and Indigo Dyers.
4:00 - 5:00 p.m.
IU Kelley School of Business(Hodge Hall) Room 219
Her primary research has been in Mali, West Africa, where she has worked with ceramic and textile artists, leatherworkers and blacksmiths documenting artistry, technology and social identity. She has held several major fellowships from NEH, Smithsonian, Fulbright-Hays and the Social Science Research Council for her research. Her major publications include Mande Potters and Leatherworkers. Art and Heritage in West Africa (Smithsonian, 1998, 2001) selected as a Choice Outstanding Academic Book, and an edited volume Status and Identity in West Africa: Nyamakalaw of Mande (Indiana, 1995).
February 20, 2014
Dr. Reindert Falkenburg
Vice Provost, Intellectual and Cultural Outreach
New York University, Abu Dhabi
Lecture Title: Hieronymus Bosch, diableries, and 'speculative' vision
4:00 - 5:00 p.m. in Ballentine 310
Falkenburg's own research explores the visual arts primarily from the perspective of image/viewer relationships. He studies tensions and crises in late medieval and Renaissance art, in particular the role of the visual arts in the aesthetic, religious, moral and spiritual formation of early modern man. His scholarly interest regard especially works by 16th-century Dutch and Flemish masters such as Hieronymus Bosch and Pieter Bruegel. His books include The Fruit of Devotion: Mysticism and the Imagery of Love in Flemish Paintings of the Virgin and Child, 1450-1550. Currently he is finishing a monographic study, titled Mirror of Mirrors: Hieronymus Bosch, The Garden of Earthly Delights. Most recently, Falkenburg served as chair of the Art History Department at Leiden University in The Netherlands. Before that he was Professor of Western Art and Religion at the Graduate Theological Union in Berkeley, California; Deputy Director of the Netherlands Institute for Art History; and Research Fellow of the Royal Dutch Academy of Sciences. Falkenburg teaches The Idea of the Portrait, a class on one of the most fundamental forms of human expression in art. Falkenburg holds his Ph.D. from the University of Amsterdam, and masters and undergraduate degrees from Gronigen University in the Netherlands.
Thursday, November 14, 2013
William H. Robinson, Ph.D.
Department Head, European and American Painting and Sculpture
Curator of Modern European Art at the The Cleveland Museum of Art
Lecture Title: Van Gogh & Madness: The Artist versus the Legend
6:00 - 7:00 pm in Radio TV 226
Dr. William H. Robinson is Curator of Modern European Art at the Cleveland Museum of Art, Head of the Department of European and American Painting and Sculpture, and Adjunct Professor of Art History at Case Western Reserve University. He received his PhD in art history from CWRU in 1988, a certificate in Spanish language studies from the Universitat de Barcelona in 2001, and a certificate in management from Weatherhead School of Management, CWRU, in 2003. He has organized over twenty exhibitions and written extensively on a broad range of topics concerning 19th and 20th century art. His most recent publications include: Picasso and the Mysteries of Life (2012), Van Gogh Repetitions (forthcoming 2013), and Monet and the Modernist Garden (forthcoming 2015).
Thursday, October 31, 2013
Thor Mednick, Ph.D., Assistant Professor at the University of Toledo
Co-sponsored by the Robert E and Avis Burke Lecture Series
Lecture Title: What Lies Ahead: Science, Technology, and the Transformation of the Danish Landscape
4:45 - 5:45 p.m. in Opotometry 105
October 11th, 2013
Candace M. Keller, Ph.D., Assistant Professor; Department of Art, Art History, and Design/Residential College in the Arts & Humanities, Michigan State University
Lecture Title: Picturing Identity: Understanding Portraiture by Malick Sidibé
4:00 - 5:00 p.m. in Fine Arts 102
Candace Keller earned M.A. and Ph.D. degrees from the Department of the History of Art at Indiana University, where she majored in African art and minored in African Studies and African American art. In 2008, she became Assistant Professor of African art and visual culture in the Department of Art, Art History, and Design and the Residential College in the Arts and Humanities at Michigan State University. Her research on the histories of photography in western Africa has appeared in several publications, exhibitions, invited lectures, and conference presentations and has been generously supported by Fulbright-Hays, British Library, Foreign Language and Area Studies (F.L.A.S.), and Arts Council of the African Studies Association (A.C.A.S.A.) fellowships.
RECEPTION: IMU University Club Faculty Room, 250 - 5:30pm to 7:30 PM
RSVPs are required, please email firstname.lastname@example.org