Department of the History of Art

• Home
• Welcome
• Undergraduate Studies
• Graduate Studies
• Course Offerings
• Faculty & Staff
• Facilities:
• Art History Associations
• Burke Lecture Series
• Faculty & Student News
• Position Opportunities
• Department Calendar
• Contact Us

Archive | Burke Lecture Series

Previous Burke Lectures 1999-2003

• Tuesday September 17, 2002, Reception following lecture "Rulers and Ruled: Sculpture in British India"
  Prof. Barbara Groseclose, OSU
  
  
• Tuesday October 22, 2002 "Fictions: New Narratives in Contemporary Photography and Video"
  Joseph D. Ketner, Rose Art Museum, Brandeis University
  
  
• "Art at the Crossroads of Early 16th Century Italy"
  Alexander Nagel
  
  
• ***Worshiping the Ancestors:*** Chinese Ritual and Commemorative Portraits
  Jan Stuart, Associate Curator for Chinese Art, Freer Gallery of Art and Arthur M. Sackler Gallery, Smithsonian Institution
  
  
• ***The Iconography of Technique:*** Process and Meaning in the Prints of Jasper Johns
  Richard Field, former Curator of Prints, Drawings and Photographs and Associate Director Yale University Art Gallery
  
  
• "The Cornaro Chapel: Passionate Piety or Papal Politics?"
  William Barcham, Fashion Institute of Technology, State University of New York
  
  
• "Manet"
  Michael Zimmermann, visiting professor, Williams College
  
  
• "Constantino Brumidi: Artist of the Capitol."
  Barbara Wolanin, Washington, D.C.
  
  
• "Thoughts on the Uses of the Past in Renaissance Venice."
  Anne Markham Schulz, Brown University
  
  
• "Phantasmagoria of the French Revolution: the Magic Lantern as History and Metaphor."
  Andrei Molotui, Indiana University
  
  
• "The President's Two Bodies: Stagings and Re-stagings of the New Deal Body Politic."
  Sally Stein, University of California, Irvine
  
  
• "The Decline of the American Art Museum."
  Richard Feigen, Richard Feigen and Associates, NYC
  
  
• "A Most Changeable, Interested Madman": Piranesi and Ancient Rome
  Linda Hults Associate Professor at the College of Wooster and author of The Print in the Western World: An Introductory History
  
  
• "Elvis Culture: Fans, Faith and Image."
  Erika Doss, University of Colorado at Boulder
  
  
• "Predicting the Past: Memory, Nationalism and the Arts in Turn of the Century Norway"
  Patricia Berman, Barbara Morris Caspersen Associate Professor of Art Chair, Art Department Wellesley College
  
  
• "Art Nouveau"
  Gillian Naylor, The Royal College of Art, London
  
  
• "The Altar Problem: S. Maria Maggiore in Bergamo and Baroque Church Decoration in Italy"
  Giles Knox, Southern Methodist University
  
  
• "Session Munich and Vienna: A Modern Vernacular?"
  Gillian Naylor, Royal College of Art
  
  
• "Surrealism's Sade: Violence and History"
  Neil Cox, University of Essex
  
  
• "REFLECTIONS ON THE SATURDAY EVENING POST: Michael Ray Charles' Re-vision of Norman Rockwell"
  ERIC SEGAL, University Florida at Gainesville
  
  
• "WALTER PACH AS AGENT OF MODERNISM"
  LAURETTE McCARTHY, Curator of Modern Art, Swope Art Museum
  
  
• "The Sacred and the Secular in Trecento Sienna..."
  Hayden McGinnis, McMaster University
  
  
• "New Discoveries from Byzantine Constantinople"
  Robert Ousterhout, University of Illinois
  
  
• "Factura: Art Histories Thing"
  Joseph Koerner, Harvard University
  
  
• "The Symbolist City"
  Sharon Hirsch, Dickinson College
  
  
• "Posters from China's Cultural Revolution as Art and Artifact"
  Craig Clunas, University of Sussex
  
  
• "Jews and Blacks in American Art"
  Milly Heyd, Hebrew University of Jerusalem
  
  
• "The Gendering of Power in the Portraits of Caterina Sforza"
  Joyce DeVries, University of Illinois
  
  
• "The Failure of Types: An Examination of Nazi Aesthetics in Relation to Audrey Flacks Sculptural Works"
  Jen Robinson, University of Arizona
  
  
• "The Book of Urizen, Copy G: William Blake's Public Aesthetic"
  Kevin Frye, University of Notre Dame
  
  
• "The Soviet Madonna: Reproducing Production"
  Anastasia Rees, Brigham Young University
  
  
• "No Art, No History: Art History, Museology and the Fabrication of Modernities"
  Donald Preziosi (Key Note Speaker), UCLA
  
  
• "Corporate Collecting"
  Assem Mamyrbayeva, University of Arizona
  
  
• "Meat Joy: More Than Multi-Form"
  Heather Murray, University of North Texas
  
  
• "Eumachia's Building in Pompeii: Civic Space for a Woman's Face"
  Margaret Woodhull, University of Texas
  
  
• "Mythological Sculpture in the Late Roman World: Issues of Production, Chronology and Display"
  Julie Van Voorhis, Institute of Fine Arts, New York University
  
  
• "Georgia O'Keefe, Skyscrapers and Celebrity"
  Marie Clifford, Kenyon College
  
  
• "Inventing Joseph Cornell"
  Stephanie Taylor, Wellesley College
  
  
• "Charles Alston's Harlem Hospital Mural and Cultural Politics in Depression Era Harlem"
  Diana Linden, University of Michigan
  
  
• "The House of Augustus: A Roman Formulation of Status"
  Caroline Kerrigan Quenemoen, Yale University
  
  
• "Pagans in Palestine: The Roman Marble Sculptures from the Sanctuary of Pan at Caesarea Philippi"
  Elise Friedland, Rollins College
  
  
• "People Who Live in Glass Houses"
  Alice Friedman, Wellesley College
  
  
• "France Pictures Russia in the 19th Century"
  Lauren O'Connell, Ithaca College lecture by Fred Kleiner
  
  
• "Performance and Decorum in Italian Renaissance Religious Painting."
  Louis Waldman
  
  
• "Drawing and the Creative Process;From Michelangelo to Watteau."
  Donald Posner