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Two views of cowbirds from inside our aviaries showing the
perspective of a human observer from two observation points
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WHY STUDY ANIMALS IN GROUPS? |

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WHY STUDY ANIMALS IN GROUPS?
We believe that studying ecological relevant
groups of individuals is fundamental to understanding social development.
The interaction of behavior of different classes of individuals produces
non-additive and non-intuitive outcomes. Furthermore, studying the
acquisition of social information requires that we do not impose the social
interactions upon subjects, but instead allow the subjects to choose the
stimulation most important to them- something that cannot occur in confined
lab settings. We have found the following effects that differ or do not
exist in the confines of traditional lab settings:
- Modifiability of
female song preferences can occur in groups in aviaries, but not in the
pairs or triads in sound attenuating chambers. Females show obvious visual
signals in aviaries to one another suggesting that their preferences are
transmitted socially.
- Female social
proximity to juvenile males in chambers serves to increase potency
of male song. Female social proximity to juvenile males in aviaries serves
to stimulate male-male competition and in turn reduce male potency.
- Group processes
influence information acquisition. Groups in aviaries adjacent to one
another show little cross-group interaction, no song sharing, and can even
differ in reproductive stimulation, egg production, song potency and
mating success.
- Countersinging by
males stimulates female egg production. Countersinging by males requires
groups of males to sing together and groups of females to be stimulated by
them (and to stimulate them).
- During fall, winter
and spring, individual birds self-select different social networks within
a larger social group. These social networks appear to correlate with
reproductive success.
<------click to start Quicktime 5 or 6 2.2 MB
file
Male cowbird: A “bird’s-eye” view of a male
cowbird on a cold morning in January. |
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Male cowbirds
produce between 2 to 7 song types
A male singing an
undirected song .
Click to
start -->
Song
An example of a high quality recording of a typical cowbird song type
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All files less than 100KB
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Time-frequency spectrograms made using Igor Pro and BSound software written by
Brian Nelson.
BSound is available at
http://homepage.mac.com/bsnelson/Igor/BSound.html
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The song types are used in several contexts. First, males
broadcast undirected song. Second, males sing to other males, often in singing
contests where two males exchange several song types with one another. Third,
males sing to females as part of courtship. Male song elicits a variety of
reactions in females. The most common reaction is to ignore the male, but song
also can elicit approach or solicitation of copulation. Shown below is
another reaction to song, a female moving her wing in a display called a wing
stroke. The wing stroke occurs as the song is sung. Males and females orient to
females who are wing stroking. Note the female’s head movement as she watches
another female’s wing stroke. We believe that females’ interactions with one
another with respect to song is a mechanism by which female preferences for song
are formed.
During the
breeding season, May and June, females can respond to a song with copulatory
postures, see below. The female arches her back and raises and lowers her tail.
If a male is present, he will mount her and copulate. But females also show this
display in the absence of actual males, responding to playbacks of song. We use
her responses to playback songs as a bioassay of song effectiveness, or potency.
We do not add hormones to the females: the females respond to playbacks of song
over the course of at least six weeks. The key to their responding is that there
are no males present, depriving the females of song stimulation. Using this
technique, we have found that females, with male experience show preferences for
local over distant song. Females without experience appear to have to learn
their preferences by interacting with males and by observing other females’
reactions.
Click to start movie -->
Breeding season response to song playback
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a 65 KB file
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Female sensitivity to male song is not limited to the
breeding season. Although female cowbirds do not sing, they contribute to
the learning of song by males throughout the year. Males pay attention to
wing movements of females when they sing to them. These movements, called
wing strokes, occur while the male’s one second song is in progress. Males
can modify the content of their song prior to the breeding season in
response to female reactions.
Vocalizations eliciting wing strokes in early spring tend to develop into
very effective courtship signals. |



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Like the sequence above,
this recording was made in early March while the male’s song was variable
from rendition to rendition. Prior to this sequence, this juvenile male had
sung several hundred songs during the previous two hours. None of these
songs had elicited any obvious reaction from the female. In the first
frame, the male sings an undirected song and the female wing strokes with
her right wing while the song is being sung. He immediately jumps toward the
female and tries to observe the wing stroke in frames 2 & 3. After the male
has approached, the female then starts to stretch her right wing as can be
seen in frames 3 and 4. The male continues to move closer to the female in
frames 4, 5, attempting to observe the female wing action. By this time, the
female has had enough of the male and in frame 6 she reminds him to keep his
distance. |
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