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Black Camera

Fall 2017

Please click the image to read Black Camera on JSTOR.

Table of Contents

Call for Close-Up Submissions

New York Filmmakers



Timbuktu: What Call to Action?
-Amadou Fofana and Bruce S. Hall

Sentimentalizing Racial Reconciliation in the New South Africa: Cinematic Representation of the 1995 Rugby Wold Cup
- Albert Fu and Martin Murray

All Tangled Up: Intersecting Stigmas of Race, Gender, and Sexuality in Mariana Rondón's Bad Hair
-Reighan Gillam

Color/blindness in Sheri Hagen's Auf den zweiten Blick (2012)
-Olivia Landry


On the Commerce of Intimacy: Dany Laferrière on How to Make Love to a Negro... and Heading South
- Michael T. Martin with Yalie Kamara

Close-Up: Beyoncé: Media and Cultural Icon

Introduction: Who Is Beyoncé?
- Stephanie Li

Beyoncé's Digital Stardom
-Eric Harvey

Surviving the Hustle: Beyoncé's Performace of Work
-Emily J. Lordi

Queen Bey and the New Niggerati: Ethics of Individualism in the Appropriation of Black Radicalism
- Mako Fitts Ward

Beyoncé's Black (Ab)Normal: Baaad Insurgency and the Queerness of Slaying
- Marquis Bey

Ass You Lick It: Bey and Jay Eat Cake
- Dinah Holtzman

A Critical View of Beyoncé's "Formation"
- Alicia Wallace

Class Formation: Beyoncé in Music Video Production
- Aisha Durham

A Conversation with Salamishah Tillet
- Tiffany E. Barber


Selected English Translations and List of Participants
- Gaston Kaboré and Alain Didier Compaore

Décoloniser Notre Imaginaire
- Fouad Souida

Rapport Général Colloque FESPACO (French)
-Various Contributors

Félicité: Two Commentaries
-Olivier Barlet

FESPACO 2017: A Discredited Festival
-Olivier Barlet

Film Review

Charles Burnett, Killer of Sheep (1977)
-Mary Maillard

Archival Spotlight

Things I Forgot to Tell You: The Forgotten Legacy of Phil Moore
- Ronda L. Sewald