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Black Camera


Please click the image to read Black Camera on JSTOR.

Table of Contents

Call for Special Issue Submissions

Nollywood in the Context of Globalization
Carmela Garritano


The Color of Manhood: Reconsidering Pompey in John Ford's Man Who Shot Liberty Valance
- Abigail Horne

"You Talkin' Revolution, Sweetback": On Sweet Sweetback's Baadasssss Song and Revolutionary Filmmaking
- Benjamin Wiggins

Close-Up: Precious

"They Look Way Above Me, Put Me Out of Their Eyes": Seeing the Subjects in Precious: An Introduction in Two Parts
- Suzette Spencer

Tuning into Precious: The Black Women's Empowerment Adaptation and the Interruptions of the Absurd
- Erica R. Edwards

The Precarious Politics of Precious: A Close Reading of a Cinematic Text
- Mia Mask

Dialectical Mediation: The Play of Fantasy and Reality in Precious
- Katie M. Kanagawa

"I Think I Was Rape": Black Feminist Readings of Affect and Incest in Precious
- Régine Michelle Jean-Charles

Push, Precious, and New Narratives of Slavery in Harlem
- Riché Richardson

Acting Out: Counterliteracy Beyond the Ree(a)l
- Honey Crawford

The Counterliteracy of Postmelancholy
- Margo Natalie Crawford

Commentary: The Abject and the Grotesque: Broken Bodies, Broken Dreams, and the Lost Promise of Harlem
- Carol E. Henderson

Commentary: A Collective Appetite: Reception and the White Gaze from Shange to Sapphire
- Rebecca Morgan Frank

Close-Up Gallery: Precious
- David C. Wall

Africultures Dossier

Representing the Itsembabwoko
- Olivier Barlet

Book Reviews

Anne Anlin Cheng. Second Skin: Josephine Baker and the Modern Surface
- Review by: Matthew Pratt Guterl

Archival News

Archive Spotlight: The Image of Black Women in Film Advertising as Seen in the BFC/A's Hatch-Billops Collection
-Paul C. Heyde