L371 16306 CRITICAL PRACTICES
Shane Vogel
4:00p-5:15p TR (30 students) 3 cr. A&H.
TOPIC: “Marx, Nietzsche, Freud, and Their Legacies”
PREREQUISITE: L202 with grade of C- or better. NOTE: The English
Department will strictly enforce this prerequisite. Students who
have not completed L202 with a grade of C- or better will have their
registration administratively cancelled.
This course is designed to provide students with an introduction to
intellectual and theoretical traditions that have shaped the
understanding of literature, culture, and self in the modern era.
Because “theory” itself is unmasterable, rather than a broad survey
of every school of critical thought we will focus our discussions on
the work and intellectual legacy of three of the most important and
influential thinkers of the modern era: Marx, Nietzsche, and Freud.
French philosopher Louis Althusser once wrote, “To my knowledge, in
the course of the nineteenth century, two or three children were
born who were not expected: Marx, Nietzsche, Freud. They
were ‘natural,’ or illegitimate, children, in the sense that nature
offends customs, laws, morality, and the consecrated skills of life;
nature is the rule violated, the unwed mother, and thus the absence
of a legal father. A child without a father is made to pay dearly by
Western reason.” We will think in this class about these fatherless
children and their own lineages (as well as Althusser’s
configuration of their il/legitimacy within Western thought and its
gendered implications). The first half of the course will be devoted
to a rigorous and in-depth investigation into the key works of these
authors, including The Manifesto of the Communist Party and
The German Ideology; The Birth of Tragedy and The
Genealogy of Morals; and On Dreams and Three Essays on
a Theory of Sexuality. In the second half of the course we will
examine the way important aspects of these thinkers were elaborated
in twentieth century thought, tracing the development of materialist
literary criticism after Marx, anti- (or post-) foundational
criticism after Nietzsche, and psychoanalytic criticism after Freud
in French and American contemporary thought. While our emphasis will
be on the theoretical texts themselves, we will ground our
discussions in several literary texts throughout the semester.
While our emphasis will be on the theoretical texts themselves, we
will ground our discussions in several literary and cultural texts
throughout the semester, possibly (but not necessarily) Zora Neale
Hurston’s Their Eyes Were Watching God, Henry James’s The
Turn of the Screw, Joseph Conrad’s Heart of Darkness,
Fitzgerald’s The Great Gatsby, or Richard Yates’s
Revolutionary Road.
There will be an emphasis on class discussion, supplemented with
occasional lectures. Written work will include a number of short
response papers and two longer papers (5 pages; 8-10 pages).