L396 27017 STUDIES IN AFRICAN AMERICAN LITERATURE AND
CULTURE
George Hutchinson
10:10a-11:00a MWF (30 students) 3 cr. A&H, Culture Studies List
A.
TOPIC: “The Harlem Renaissance”
This course will examine the movement, running roughly from 1919 to
1937, that helped set the general directions of African American
literature for the twentieth century. It will consider the
relationship of the movement to social and political movements and
the broader phenomenon of “modernism” in the arts, and to rising
imaginings of a transatlantic black diaspora. The participation of
whites in the movement, and conflicting judgments on that
participation, will be an important topic as well. We will consider
the major controversies over the nature of race and its significance
for art and culture while examining major literary achievements of
the period. Texts will include W. E. B. Du Bois, The Souls of
Black Folk; poetry of Langston Hughes and his collection of
stories, The Ways of White Folks; Nella Larsen,
Quicksand or Passing; The New Negro, edited by
Alain Locke; poetry by Claude McKay and Countee Cullen; Nigger
Heaven by Carl Van Vechten; George Schuyler, Black No
More; James Weldon Johnson, God’s Trombones; Zora Neale
Hurston, Their Eyes Were Watching God; and other works.
Attention will also be given to the music and fine arts of the
period.
Requirements will include a short “diagnostic” paper early in the
semester, and then either two papers of 5-7 pages or one longer term
paper of 10-12 pages; a mid-term and a final exam; and class
participation.