E304 LITERATURES IN ENGLISH, 1900-PRESENT
Laura Shackelford
16454 - 12:20p-1:10p MWF (30 students) 3 cr. A&H.
16455 - 10:10a-11:00a MWF (30 students) 3 cr. A&H.
TOPIC: "Trans/Nationalisms: The ‘Place’ of Literature and Identity
in an Age of Globalization"
Globalization, by promoting the circulation of capital, goods,
labor, persons, and information across national borders, poses a
series of challenges to existing national literatures and the
(nation-based) methodologies we use to study literature. This course
will examine a series of twentieth-century literary movements that
turn to the global in order to develop a critical vantage on the
nation-state and nationalist ideologies. It will also reflect on
its own status as a ‘world literature’ course, its status as an
outgrowth of this drive to render literature more “worldly,” to
consider the values, purposes, and stakes guiding such global
reading practices. Literature has played a central role in
elaborating and consolidating the boundaries, both physical and
symbolic, of the modern nation-state. As largely
symbolic, “imagined communities” as well as material, geo-political
territories, nation-states rely on literature to establish and
consolidate categories of belonging based on language, region,
culture, race, and ethnicity. Yet, as mentioned above, a number of
literary movements have offered rigorous critiques and
interrogations of existing nation-states and the nationalist
discourses and practices, such as colonialism and imperialism, on
which they rely. We will consider how these works of literature and
key literary movements re-negotiate and re-imagine the relations
between literature, identity, belonging, place, and the nation-
state. In addition to asking after the critical perspective that
such “worldly” literatures provide on national imaginaries, we will
also address the possible complicity of transnational, cosmopolitan
yearnings with nationalism, imperialism, and neo-colonialism, among
other limitations.
The initial unit will reflect on the relationship between
nationalism, literature and identity in the early 20th century and
consider what it might mean and accomplish to render
literature “worldly.” The second unit will focus in on literary
Modernism’s embrace of various strains of cosmopolitanism as
alternatives to nationalism. We will read James Joyce’s A
Portrait of an Artist as a Young Man and Gertrude Stein’s
Autobiography of Alice B. Toklas, examining their uses of
exile and expatriation as means of resisting and re-figuring
nationalism. Marking crucial limits to literary modernism’s
cosmopolitanisms, and their exclusion of the non-European world in
particular, the third unit will examine key literary movements
taking up the Black Atlantic diaspora as a means of developing
a “worldly,” cosmopolitanism perspective on modernity. Beginning
with the work of W.E.B. Du Bois, we will move on to consider the
writings of Harlem Renaissance writers, Nella Larsen and Langston
Hughes, and works of post-colonial African literature by Aimé
Césaire and Ama Ata Aidoo. These latter writers’ work will open
onto the final unit in which we will examine a series
of “postcolonial cosmopolitanisms,” literary works that
strategically map and resist transnational, global capitalist
spaces, drawing on the transnational to re-imagine identity,
belonging, and community and to disrupt multi- and transnational
corporations’ newest chapter in colonial and imperial exploitation.
This final unit includes works by Bharati Mukherjee, Monique Truong,
Zadie Smith, and Guillermo Gómez-Peña.
Assignments will include a group presentation, two essays (5 pages
and 7-8 pages in length), regular quizzes and on-line reading
responses, and a comprehensive exam.
Required Texts:
James Joyce, A Portrait of the Artist as a Young Man
Gertrude Stein, Autobiography of Alice B. Toklas
Nella Larsen, Quicksand
Ama Ata Aidoo, Our Sister Killjoy
Bharati Mukherjee, The Holder of the World
Monique Truong, The Book of Salt
Zadie Smith, White Teeth
*Selected poetry, performance works and critical essays on e-
reserve