History | Ragtime to Rap
A383 | 26205 | McGerr

A portion of the above class reserved for majors
Above class open to undergraduates only

Course Description:
What can the lives and music of Scott Joplin, Louis Armstrong,
Bessie Smith, Jimmy Rodgers, Patsy Montana, Frank Sinatra, Elvis
Presley, James Brown, Helen Reddy, and Grandmaster Flash, and Queen
Latifah tell us about modern America?  How can be-bop and hip-hop
help us to understand some of the critical issues in the history of
the United States?  This course answers these questions by studying
the ways in which popular music has been tightly interwoven with
American life from the late-nineteenth century to the present.

Rather than focus on musicological analysis, the class uses the
history of popular music to explore issues in the social, cultural,
political, and economic history of the modern United States.
Stressing comparisons across time and space, we will examine a broad
range of musical cultures from the late nineteenth century to the
present, including ragtime, Tin Pan Alley, jazz, swing, blues,
country, rhythm and blues, folk, rock and roll, soul, rap, and
others.  Throughout, the course considers the inter-relationship
between music, on the one hand, and class, gender, race, ethnicity,
and generation, on the other.  The course also investigates the ways
in which musical genres have been affected by economic developments
such as corporations and consumerism and by technological
developments from player pianos to digitization.  We will discuss
the role of popular music in myth-making about America.  And we will
study whether popular music has fostered or thwarted democracy.  Our
emphasis is always on the ways in which music fosters and reflects

Course Goals:
In developing your understanding of the issues listed above, this
class pursues the aims common to upper-level history lecture
courses.  You will work to increase your ability to think
historically, to recognize how the past conditions the present and
the future, to read, watch, and listen critically, and to express
yourself on paper and in discussion.

Course Prerequisites:
There are no formal prerequisites for this course, but it does build
on the material and approaches developed in the second half of the
introductory U.S. history survey, H106.  If you have not taken H106
or a course on the U.S. in the late nineteenth and twentieth
centuries, you may find it useful to read through the relevant
chapters in a textbook such as Jeanne Boydston et al, "Making a
Nation: A History of the United States."

Two required texts—Larry Starr & Christopher Waterman, "American
Popular Music: From Minstrelsy to MTV," and William H.
Kenney, "Recorded Music in American Life: The Phonograph and Popular
Memory, 1890-1945"—will be available for purchase at the Indiana
Memorial Union bookstore.  Other required readings are available on-
line at the course website.  The three required films—"The Jazz
Singer" (1927), "Birth of the Blues," and "Jailhouse Rock"—will be
on reserve in the Wells Library and screened for the class outside
of regular course hours.  There will be two in-class tests and a
final examination.