Germanic Languages | German Film Culture
E323 | 9822 | Wagner
Topic: What is Cinema? Theories of Film in the European Tradition
(2nd 8 Weeks)
This course will introduce students to some of the major concerns of
European film theory in the first half of the 20th century. Throughout
the semester we will be thinking about theory in relation both to
technological and artistic advances in filmmaking and to today’s
concerns with new media. While learning ‘what cinema was,” students
will also be developing their own theories of newer image-making and
image-viewing technologies: ipods, cellphones, video games, webcams, etc.
Throughout the course students will engage critically both with the
texts and with various audiovisual models. Each week a different
student or small group will be responsible for a short video project
and presentation. Using digital video and editing software, each group
will construct a short film sequence (no more than 2-3 minutes)
illustrating the week’s approach to cinema. In class the groups will
have a chance to screen their work and give a short presentation on
their methods and assumptions. In addition, students will develop
their own theories of new media in a short paper (5pp.) to be turned
in at the end of the semester.
Readings will include the works of Rudolf Arnheim, Walter Benjamin,
André Bazin, Germaine Dulac, Jean Epstein, Sergei Eisenstein,
Siegfried Kracauer, Hugo Münsterberg, and others. In addition, there
will be weekly screenings of relevant films.
Enrollment limited to 18. Previous study of film not required.
Rudolf Arnheim, Film as Art [ISBN-13: 978-0520248373]
André Bazin, What is Cinema? Vol. 1 [ISBN-13: 978-0520242272]
Siegfried Kracauer, Theory of Film [ISBN-13: 978-0691037042]
Hugo Münsterberg, The Photoplay: A Psychological Study [ISBN-13:
Online Course Reader
Communication and Culture
Fine Arts/Art History