W311 24753 WRITING CREATIVE NONFICTION
Scott Sanders
2:30p-3:45p TR (15 students) 3 cr. Section requires permission of
instructor.
This is a workshop in writing personal essays, personal forms of
documentary or reportage, and memoir. You will be expected to
approach this writing as a way of making discoveries about your own
life, about subjects or ideas that fascinate you, and about human
existence. You might deal with travels, nature, or science, with
falling in or out of love, with growing up or growing old, with any
subject under the sun or beyond the sun; but, whatever the subject,
you must be willing to draw primarily on your own experience,
reflection, and observation—as well as research, when appropriate—
and to make your discoveries accessible to strangers. Therefore the
workshop will not address such worthy but impersonal modes as
scholarship and conventional journalism, nor such private modes as
the diary, nor the freely invented modes of fiction.
We will spend the first third of the semester reading and talking
about short works of nonfiction, and writing brief exercises based
on that reading. For texts, we will probably use Sam Cohen, ed., 50
Essays (2004) and Anne Fadiman, ed., Best American Essays
2003 (2003), along with two or three collections of essays by
individual authors. We will spend the rest of the semester
discussing manuscripts produced by members of the workshop. You
will be expected to write, in addition to the brief exercises,
roughly 30 pages of finished work.
I do not expect you to have any considerable experience of writing
personal nonfiction, but I do expect you to be able to write good
prose. W103 or W203 are recommended as preparation. The workshop
provides you with a group of informed, alert, and sympathetic
readers. While it should also supply ideas and provocations for new
writing—through class discussion, assigned readings, and exercises—
the workshop is not designed to provide you with either the desire
or the commitment to write. Those qualities you must bring with
you. Grades will be based primarily on the quality of your writing,
including revisions, and secondarily on the quality of your
responses to work presented by your classmates.
By permission of the instructor: Leave a note in my mailbox (BH 442)
briefly describing your reasons for wishing to take the course,
along with a sample of your writing (5-15 pages). Please include
your telephone number, mailing address, and e-mail address. I will
respond as soon as possible, to let you know whether you have been
admitted to the workshop. The names of admitted students will be
given to the Creative Writing Program Secretary in BH 442. As soon
as you are admitted, obtain an on-line authorization to register
from the secretary. You must have an authorization in order to
register.