Slavic Languages and Literatures | Twentieth-Century Russian Literature 2
R508 | ALL | Perlina


The class aims at giving a diachronic overview of Russian
literature and culture from 1930 to the present (from the final
breakup of the avantgarde at the end of the 1920s to the revival of
Conceptualism in the 1990s). The course will trace the relationship
between avantgarde, Socialist realism, political/aesthetic dissent,
and contemporary post-socialist art. Emphasis will be placed on the
author-hero relation and on the depiction of the hero as an author
(writer, thinker, poet) or an inventor (engineer, constructor, scientist).

Course requirements:
1) One written research of approx. 10 pages in length,
summarized as a 20 min. report (oral presentations will be analyzed by
individual discussants). Oral reports should either provide a
comparison of two (or more) analytical approaches to the required
texts (i.e., E. Proffer and B. Gasparov on the genre of Master and
Margarita ) or offer a critical analysis of an optional text (the list
is attached).
2) One major paper of approx. 12-15 pages presented by the end
of the semester.

Reading list:
1.        Available from the bookstore:
V. Aksyonov, The Burn, Vintage/Hutchinson 1984.
M. Bulgakov, Master and Margarita, Grove
V. Nabokov, The Gift, Putnam.
B. Pasternak, Doctor Zhivago,  Pantheon
A. Platonov, The Foundation Pit,  Dutton
A. Solzhenitsyn, The First Circle, Bantam

2.        Texts on reserve:
Origins and Theory of Socialist Realism
Pervyi vsesoiuznyi s'ezd sovetskikh pisatelei, M.,.1934 (on reserve),
C. V. James, Soviet Socialist Realism: Origins and Theory, 1973 (on
reserve), Regine Robin, Socialist Realism: An Impossible Aesthetics,
1992 (on reserve), K. Clark, The Soviet Novel: History and Ritual,  U.
of Chicago, 1981 (on reserve), A. Terts, On Socialist Realism, 1960 .