W303 10164 WRITING POETRY
Romayne Rubinas Dorsey
REQUIRES PERMISSION OF INSTRUCTOR.
1:00p-2:15p TR (15 students) 3 cr.
This upper-level poetry workshop will focus on developing students’
original work while reading and discussing what’s being written and
published in contemporary poetry. We will read multiple examples of
work by contemporary poets, and we will explore the work both
through class discussion and in our own writing.
In class, we will focus on an understanding of craft through close
reading of poetry along with a few essays on poetics as well as
through various writing exercises. In the workshop component of the
class, we will focus on the experience of the poem in process: how
craft elements are put to use, the ways in which the poem engages
the form and its conventions, and what is wonderful and what might
be improved about the poem.
You will be expected to hand in 10-12 new and original poems,
several of which will be in response to prompts or developed from in-
class exercises. All poems will go through several revisions, the
experience of which you will discuss in a preface to the course’s
final portfolio of your original work. You will be expected to offer
substantive written critique of peer work as well as participate
actively in all workshops and class discussions. In preparation for
class discussion, you will keep a writer’s journal of reflections on
course readings.
Possible course texts: Legitimate Dangers (eds. Dumanis &
Marvin); OR a Best American Poetry anthology; Twentieth
Century American Poetics (eds. Gioia, Mason, & Schoerke); and a
few individual collections of poetry (possibles include:
Loudermilk’s Strange Valentine; Bowman’s Notarikon,
Valentine’s The Cradle of the Real Life; McHugh’s Hinge &
Sign; Walker’s Affrilachia; Beckman & Rohrer’s Nice
Hat. Thanks.).
To apply for admission to the course, place the following materials
in a manila envelope in my BH442 mailbox (Romayne Rubinas
Dorsey):
--10 pages of what you consider your best poetry.
--A brief letter outlining your interest in the course and your
background in creative writing (you should have taken at least one
of the following: W103 or W203). Please include in your letter
previous creative writing instructor’s name.
--Your name and a current email address. I will admit and notify
students as they apply, so chances for admission increase with early
submission of materials.
I will notify you via email of my decision and copy the departmental
secretary who can clear admitted students for registration.