K404/504 - Electronic Studio Resources II - Syllabus

Prof. Jeffrey Hass
Email: hassj @ indiana.edu
Prof. John Gibson
Email: johgibso @ indiana.edu
Dates Lecture Reading Tutorial
Week 1
(1/7)

Course Overview
Administrivia
Synthesis with Absynth (continued-in tutorials)

Absynth manual--MAC302 closet and pdf on
CECM server
Yes-tutorials this week!!!
Review Assignment 8 from last semester
Two short
independent assignments, due by 4/20 or 4/21, will be discussed during the first class
Assignment 1
Week 2
(1/14)
Principles of FM synthesis
FM Synthesis with Absynth
Audio-rate Frequency Modulation (Hass)
Absynth manual--MAC302 closet and pdf on
CECM server
Not required, but interesting reserve reading:
Ballora-p. 229-232
Foundations of Computer Music: Chowning article p. 6-29--the 'classic' of FM synthesis
DUE: Assignment 1
Assignment 2
Week 3
(1/21)
Soundfile modification techniques I:
spectral-based processes: phase vocoding, convolution, mutation using SoundHack, Peak and SPEAR
Roads, p. 168-184
Phase Vocoding (Hass)
SoundHack Manual (read about phase vocoding,convolution, mutation--shareware)
SPEAR (skim ICMC paper link on page--shareware)
DUE: Assignment 2
Assignment 3
Week 4
(1/28)
Soundfile modification techniques II
Granular Synthesis and Granulation (Riverrun), compression (DP), Delay (Spektral Delay), EQ (Periscope)

Granulation of Sampled Sound, by Barry Truax
Compression Exposed

DUE: Assignment 3
Assignment 4
Week 5
(2/5)
Introduction to Pro Tools I:
Creating and working w/tracks; digital vs. analog inputs; recording and editing; creating and working with regions
Pro Tools LE Manual (in studio), Ch. 1-5
Pro Tools Primer (Hass-web)
DUE: Assignment 4
Assignment 5
Week 6
(2/12)
Introduction to Pro Tools II:
internal bussing and sends, advanced DSP functions, plug-ins, bouncing to disk, syncing to video
Pro Tools LE Manual (in studio), Ch. 6 Assignment 6
Begin work on Video Assignment
Week 7
(2/19)
Electronic Music History and Literature I
Early studios, musique concrete, Electronische Musik
Chadabe, Ch. 1-2 (but the whole book is well worth reading)
CECM Electronic Music Historical Overview
IU Electronic Music History Listening List
DUE: Assignments 5 and 6
Begin work on Final Project
Week 8
(2/26)
Electronic Music History and Literature II
Midterm review
K504 Classic In-Class Playlist
[work on Final Project]
Week 9
(3/4)
MIDTERM EXAM  

DUE: Video Assignment
[work on Final Project]

Spring Break
(3/10 - 3/16)
 
Week 11
(3/18)
Computer music developments and literature I;
Interactive performance:
MAX/MSP: MAX I

K504 Digital Age In-Class Playlist
Hass web examples on server
MAX Tutorials (in MAX folder and on server);
MAX manual (in MAX folder and on server)

[work on Final Project]
Week 12
(3/25)
Computer music developments and literature II;
MAX/MSP: MAX I
K504 Digital Age In-Class Playlist
Hass web examples on server
MAX Tutorials #(in MAX folder and on server);
MAX manual (in MAX folder and on server)
[work on Final Project]
Week 13
(4/1)
MAX/MSP: MSP II Hass web examples on server
MSP Tutorials #(in MAX folder);
MSP manual (in MAX folder)
[work on Final Project]

Week 14
(4/8)
MAX/MSP: MSP III Hass web examples on server
[work on Final Project]
Max/MSP Assignment

Week 15
(4/15)

Working with Video I

Hass webpage (coming)
Final Cut Studio Pro manual

[work on Final Project]
Week 15
(4/22)
Working with Video II Hass webpage (coming)
Final Cut Studio Pro manual
DUE: Max/MSP Assignment
[work on Final Project]
Tues 4/29 PERFORMANCE OF FINAL PROJECTS That's right--no final, but high expectations for the Final Project in exchange During exam week--don't leave town early!

Indiana University
This document is prepared and maintained by the Indiana University School of Music Center for Electronic and Computer Music.
Last Updated: 1/8/07
URL: http://www.indiana.edu/~emusic/courses/K503/K504_syllabus.htm
Comments: CECM
Copyright 1998-2007, Jeffrey Hass, John Gibson, Christopher Cook and The Trustees of Indiana University