- This syllabus includes lecture topics, tutorial assignments, reading assignments, and exam dates.
- Click on a tutorial assignment link to get a description of the assignment.
- Reading assignments are listed together with the relevant lectures. It is highly recommended that readings be done in advance of the lectures to facilitate maximum comprehension.
- Short, several-question content quizzes pertaining to the week's readings will be administered at the beginning of most Tuesday classes.
- The dates given in the Dates column are for the Tuesday lecture. See Course Information for policies and requirements.
- A list of suggested (but not required) listening containing more recent pieces can be found here. This list may be modified from time to time.
| Dates | Lecture | Reading | Tutorial |
|---|---|---|---|
| Week 1 (1/7) |
Course Overview |
Absynth manual--MAC302 closet and pdf on CECM server |
Yes-tutorials this week!!! Review Assignment 8 from last semester Two short independent assignments, due by 4/20 or 4/21, will be discussed during the first class Assignment 1 |
| Week 2 (1/14) |
Principles of FM synthesis FM Synthesis with Absynth |
Audio-rate Frequency Modulation (Hass) Absynth manual--MAC302 closet and pdf on CECM server Not required, but interesting reserve reading: Ballora-p. 229-232 Foundations of Computer Music: Chowning article p. 6-29--the 'classic' of FM synthesis |
DUE: Assignment 1 Assignment 2 |
| Week 3 (1/21) |
Soundfile modification techniques I: spectral-based processes: phase vocoding, convolution, mutation using SoundHack, Peak and SPEAR |
Roads, p. 168-184 Phase Vocoding (Hass) SoundHack Manual (read about phase vocoding,convolution, mutation--shareware) SPEAR (skim ICMC paper link on page--shareware) |
DUE: Assignment 2 Assignment 3 |
| Week 4 (1/28) |
Soundfile modification techniques II Granular Synthesis and Granulation (Riverrun), compression (DP), Delay (Spektral Delay), EQ (Periscope) |
Granulation of Sampled Sound, by
Barry Truax |
DUE: Assignment 3 Assignment 4 |
| Week 5 (2/5) |
Introduction to Pro Tools I: Creating and working w/tracks; digital vs. analog inputs; recording and editing; creating and working with regions |
Pro Tools LE Manual (in studio), Ch. 1-5 Pro Tools Primer (Hass-web) |
DUE: Assignment 4 Assignment 5 |
| Week 6 (2/12) |
Introduction to Pro Tools II: internal bussing and sends, advanced DSP functions, plug-ins, bouncing to disk, syncing to video |
Pro Tools LE Manual (in studio), Ch. 6 | Assignment 6 Begin work on Video Assignment |
| Week 7 (2/19) |
Electronic Music History and Literature I Early studios, musique concrete, Electronische Musik |
Chadabe, Ch. 1-2 (but the whole book is well worth reading) CECM Electronic Music Historical Overview IU Electronic Music History Listening List |
DUE: Assignments 5 and 6 Begin work on Final Project |
| Week 8 (2/26) |
Electronic Music History and Literature II Midterm review |
K504 Classic In-Class Playlist |
[work on Final Project] |
| Week 9 (3/4) |
MIDTERM EXAM | DUE: Video Assignment |
|
| Spring Break (3/10 - 3/16) |
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| Week 11 (3/18) |
Computer music developments and literature I; Interactive performance: MAX/MSP: MAX I |
K504 Digital Age In-Class Playlist |
[work on Final Project] |
| Week 12 (3/25) |
Computer music developments and literature II; MAX/MSP: MAX I |
K504 Digital Age In-Class Playlist Hass web examples on server MAX Tutorials #(in MAX folder and on server); MAX manual (in MAX folder and on server) |
[work on Final Project] |
| Week 13 (4/1) |
MAX/MSP: MSP II | Hass web examples on server MSP Tutorials #(in MAX folder); MSP manual (in MAX folder) |
[work on Final Project] |
| Week 14 (4/8) |
MAX/MSP: MSP III | Hass web examples on server |
[work on Final Project] Max/MSP Assignment |
Week 15 |
Working with Video I | Hass webpage (coming) |
[work on Final Project] |
| Week 15 (4/22) |
Working with Video II | Hass webpage (coming) Final Cut Studio Pro manual |
DUE: Max/MSP Assignment [work on Final Project] |
| Tues 4/29 | PERFORMANCE OF FINAL PROJECTS | That's right--no final, but high expectations for the Final Project in exchange | During exam week--don't leave town early! |

This document is prepared and maintained by the Indiana University School of Music Center for Electronic and Computer Music.
Last Updated:
URL: http://www.indiana.edu/~emusic/courses/K503/K504_syllabus.htm
Comments: CECM
Copyright 1998-2007, Jeffrey Hass, John Gibson, Christopher Cook and The Trustees of Indiana University