Chapter One: An Acoustics Primer

### 7. What are wave shapes and spectral content?

The shape of a wave is directly related to its **spectral content, **or the particular frequencies, amplitudes and phases of its components. Spectral content is the primary factor in our perception of **timbre** or *tone color*. We are familiar with the fact that white light, when properly refracted, can be broken down into component colors, as in the rainbow. So too with a complex sound wave, which is the composite shape of multiple frequencies.

So far, we have made several references to sine waves, so called because they follow the plotted shape of the mathematical sine function. A perfect sine wave or its cosine cousin will produce a single frequency known as the **fundamental**. Once any deviation is introduced into the sinus shape (but not its basic period), other frequencies, known as **harmonic partials** are produced.

**Partials** are any additional frequencies but are not necessarily harmonic. **Harmonics** or harmonic partials are integer (whole number) multiples of the fundamental frequency (*f*) (1*f*, 2*f*, 3*f*, 4*f*…). **Overtones** are the harmonics *above* the fundamental. For convention’s sake, we usually refer to the fundamental as partial #1. The first few harmonic partials are the fundamental frequency, 8ve above, perfect fifth, 2 8ves above, 2 8ves + major 3rd, 2 8ves + major 5th as pictured below for the pitch 'A.' After the 8th partial, the pitches begin to grow ever closer and do not necessarily correspond to equal-tempered pitches, as shown in the chart. In fact, even the fifths and thirds are slightly off their equal-tempered frequencies. You may note that the first few pitches correspond to the harmonic nodes of a violin (or any vibrating) string.

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