Indiana University Bloomington
Department of French and Italian

Hall Bjørnstad

Hall Bjørnstad

Associate Professor of French
Director of Renaissance Studies

Office: Ballantine Hall 618
Office phone: 855-6596

Research Areas

17th-century literature and culture, emphasis on the relationship between literature, politics, and philosophy


  • PhD, French literature, University of Oslo, Norway, 2006


As a scholar of French seventeenth-century literature and culture, I explore the meaning of the syntagm “early modern”: a presumed conceptual and experiential proximity, which can only be constructively explored by acknowledging a simultaneous remoteness and otherness. I am particularly drawn toward material where the threshold character of the early modern is legible in the unresolved tensions between tradition and innovation, hierarchy and autonomy, authority and experience, feeling and reason, sacred and profane. I am currently pursuing two main projects. First, as an extension of my work on Blaise Pascal (cf. my monograph, Créature sans créateur: Pour une anthropologie baroque dans les “Pensées” de Pascal, PU Laval, 2010; reissued Éditions Hermann, 2013), I continue to explore questions of originality, failure, agency, mastery and materiality in the Pascalian œuvre. The latest output from this work, a reflection on Pascal’s so-called Mémorial, the textual amulet he wore in secret the last eight years of his life, came out in the fall of 2013 in Representations. The focus of my second project shifts from anthropology to the politico-theological underpinnings of absolutism. This project has its origin in my work on the creaturely in Pascal, more precisely in the Pascalian insight that human creatureliness is the flipside of royal glory, a flipside that is at once revealed and concealed through a process of self-mirroring. The project studies this dialectic as present in the construction of the image of Louis XIV in a corpus ranging from fairy-tales to political memoirs, from plays and fables to visual and plastic arts of the period. Concurrently, I am co-organizing interdisciplinary projects on issues including “Rethinking Early Modern Conversion,” “Assembling the Global: Universal History Past and Present,” and “Thinking About Agency in Seventeenth-Century France.” In 2013, with Katherine Ibbett of University College London, I edited a special issue of Yale French Studies about Walter Benjamin’s Hypothetical French Trauerspiel. This volume brought together a team of leading scholars of early modern Europe with the goal to restore early modern France back to its place at the center of post-modern theoretical debates about the vexed origins of the modern world.

I take great pleasure in animated discussions that these and similar questions spark in my graduate seminars and in the undergraduate classroom.

Selected Publications


  • Walter Benjamin’s Hypothetical French Trauerspiel, Special issue of Yale French Studies (vol. 124, 2013). Co-editor and co-author of critical preface (9 p.) with Katherine Ibbett.
  • Créature sans créateur: Pour une anthropologie baroque dans les "Pensées" de Pascal. Scholarly monograph. In the series “Les Collections de la République des Lettres,” Saint-Nicolas, Québec: Presses de l’Université Laval, 2010; reissued Paris: Hermann Éditeurs, 2013.
  • Borrowed Feathers: Plagiarism and the Limits of Imitation in Early Modern Europe. Editor and author of the critical introduction (13 p.). Oslo: Unipub, 2008.
  • Blaise Pascal: Tanker [Pensées]. Translation, annotation (45 p.) and introductory essay (33 p.). Oslo: Pax, 2007; reissued Oslo: De norske bokklubbene (Bokklubbens kulturbibliotek), 2007.


  • “Twice Written, Never Read: Pascal’s Mémorial Between Superstition and Superbia.” Representations 124, Fall 2013, 69-95.
  • “‘Giving voice to the feeling of his age’: Benjamin, Pascal and the Trauerspiel of the King Without Diversion.” Walter Benjamin’s Hypothetical French Trauerspiel. Yale French Studies 124 (2013), Hall Bjornstad and Katherine Ibbett eds., 23-35.
  • “Relire ce qu’on n’a jamais lu: Remarques sur la dignité du Roseau pensant.” Chroniques de Port-Royal 63 (2013), 101-112.
  • “The marginalization of the Mémoires of Louis XIV.” The European Legacy 17-6 (2012), 779–789.
  • “‘Fail Better’: Pascal and the Good Uses of Failure.” Seventeenth-Century French Studies 33-2 (2011), 72–79.
  • “Boileau et Racine ont-ils composé les inscriptions de la galerie des Glaces à Versailles?” XVIIe siècle 63-1 (2011), 149-156.
  • “‘Vous m’avez fait voir des choses que j’ai ressenties’: Le roi, son peintre et la question des émotions publiques.” Littératures classiques 68 (2009), 43-56.
  • “Le savoir d’un conte moins conte que les autres: Le ‘Sans Parangon’ de Préchac et les limites de l’absolutisme.” Féerie 6 (2009), 163-178.
  • “‘Plus d’éclaircissement touchant la grande galerie de Versailles’: Du nouveau sur les inscriptions latines.” XVIIe siècle 61-2 (2009), 321-343.
  • “The Metaphors of Textual Transfer: From Indigestion to Early Modern Tennis.” [On Pascal and Montaigne] Borrowed Feathers: Plagiarism and the Limits of Imitation in Early Modern Europe. Hall Bjørnstad, ed. Oslo: Unipub, 2008, 215-228.
  • “Désapprendre à mourir: Pascal and the Philosophers of Death.” Papers on French Seventeenth Century Literature 33 (2006), 419-28.


  • F630: Expressions of Absolutism
  • F523: The Early Modern Crisis of Exemplarity
  • F523: Action, Passions, Agency
  • F424: Female Voices in Seventeenth-Century French Literature
  • F424: Losing It: Chaos and Control in Early Modern France
  • F423: La scène tragique au XVIIe siècle
  • F362: La France 1500-1800
  • F305: Le poids de l'existence

Honors, Fellowships, and Awards

  • Postdoctoral Fellow, the Research Council of Norway, 2007-2010
  • Visiting Postdoctoral Research Associate, University of Princeton and Paris-4 Sorbonne, 2007-2008
  • Summer Writing-Teaching grant from the Campus Writing Program, Indiana University, 2010