Department of French and Italian
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H. Wayne Storey
H. Wayne Storey

• Professor of Italian
• Director, Medieval Studies Institute

Office: Ballantine Hall 609
Office phone: 855-7035
Email: hstorey @indiana.edu
or mestdir @indiana.edu

Research areas:

Medieval and Renaissance Italian and Old Occitan, book history, manuscript and material studies, textual editing

Education:

Background:

I teach courses and write on early Italian and Old Occitan literature, history and manuscript culture, textual editing, history of the book. I am especially known for my critical and editorial work on Petrarch, the notion and application of ‘visual poetics’ in medieval texts, the ‘textual cultures’ of medieval and Renaissance Italy and Occitania, and my essays on Dante, Guittone d’Arezzo, and Monte Andrea. Series Editor of “Textual Cultures: Theory and Praxis” (Indiana University Press), I am the Editor-in-Chief of Textual Cultures: Texts, Contexts, Interpretation (formerly TEXT [Society for Textual Scholarship]) and Associate Editor of Medioevo letterario d’Italia, Dante Studies, Heliotropia, and Letteratura Italiana Antica.

Selected awards:

Courses recently taught:

Publication highlights:

Books

Petrarch and the Textual Origins of Interpretation, Teodolinda Barolini and H. Wayne Storey. Leiden – Boston: Brill, 2007.

Francesco Petrarca, Rerum vulgarium fragmenta: Facsimile del codice autografo Vaticano Latino 3195, edited with commentary by Gino Belloni, Furio Brugnolo, H. Wayne Storey and Stefano Zamponi, “Itinera Erudita, 5”. Padova and Roma: Antenore, 2003-2004.

Transcription and Visual Poetics in the Early Italian Lyric. New York: Garland Press, 1993.

Articles

“Canzoniere e Petrarchismo: un paradigma di orientamento formale e materiale”, in Il Petrarchismo. Un modello di poesia per l’Europa, ed. Loredana Chines, Vol. 1: 291-310. Rome: Bulzoni, 2007.

“Following Instructions: Remaking Dante’s Vita Nova in the Fourteenth Century”, in Medieval Constructions in Gender and Identity: Essays in Honor of Joan M. Ferrante, ed. T. Barolini, 117-32. Tempe: MRTS, 2005.

“Cultural crisis and material innovation: the Italian manuscript in the XIVth century”, Revue Belge de Philologie e d’Histoire 83 (2005): 869-86.

“Canto XXXII: The Parallel Histories”, Lectura Dantis, Purgatorio: a Canto-by-Canto Commentary, eds. Allen Mandelbaum and Charles Ross, pp. 360-77. Berkeley: Univ. of California Press, 2008.

“Di libello in libro: problemi materiali nella poetica di Monte Andrea e Dante”, in Da Guido Guinizzelli a Dante. Nuove prospettive sulla lirica del Duecento, a cura di F. Brugnolo e G. Peron. Padova: Poligrafo, 2004, pp. 271-90.

“The Early Editorial Forms of Dante’s Lyrics: 1287–1362”, in Dante for the New Millennium (Fordham Series in Medieval Studies), 16-43. New York: Fordham University Press, 2003.

“Sulle orme di Guittone: i programmi grafico-visivi del codice BNCF Banco Rari 217”, in Studi vari di Lingua e Letteratura italiane in onore di Giuseppe Velli, 93-105. Milano: Cisalpino (Istituto Editoriale Universitario), 2000.

Dept of French and Italian, Ballantine Hall 642, 1020 E Kirkwood Ave, Bloomington, IN 47405-7103
telephone: (812) 855-1952; fax: (812) 855-8877; email: Department of French & Italian

Last updated: 04-Aug-2008 Comments: Nancy Stoute