MODULE 4: OLD INDIC VS. NEW INDIC
INDIA
AS A SET OF “CIVILIZATIONS” AND “CULTURES”
-- "OLD INDIC" AND
"NEW INDIC" CULTURAL NOTIONS
Regarding these seven periods mentioned in the preceding module, it is useful to distinguish between the first four and the last three, the first four to be designated by the expression "Old Indic" and the last three with the expression "New Indic." The expression "Old Indic" refers primarily to the cultural notions deriving from archaic Indus Valley traditions and from ancient Brahmanical, Hindu, Buddhist and Jain traditions. These represent a complex and diverse set of cultural traits, but a number of common characteristics or "family resemblances" are present in these various periods to warrant a general designation along the lines of "Old Indic." The expression "New Indic" refers primarily to the influx of Mediterranean and western cultural notions which come into play in South Asia with the coming of Islam from the seventh and eighth centuries and the coming of European civilization in the seventeenth century and onwards. Here again one finds a complex and diverse set of cultural traits but also some clear common characteristics or "family resemblances" that appear to warrant the designation "New Indic."
One preliminary way of highlighting the basic differences between "Old Indic" and "New Indic" is to call attention to some of the basic cultural notions or "framework principles" that are characteristic of each grouping. In the sequel, of course, these various notions will be dealt with in greater depth, but it may be useful to mention them in at least an introductory way at this early stage.
OLD INDIC (INDUS VALLEY-BRAHMANICAL-HINDU-BUDDHIST-JAIN) cultural notions:
(1) dharma (custom, law, duty), varna (caste)
and ashrama (stage of life)
[social anthropology]
(2) karman (action), samsara (transmigration),
and smriti (mindfulness)
[ethics]
(3) atman (Self), purusha (self), jiva
(self) and anatman (no-self)
[psychology or theory of self]
(4) yoga (disciplined meditation), dhyana
(meditation), samadhi (concentration)
[epistemology]
(5) moksha (release), nirvana (release),
bhakti
(devotion)
[theology]
NEW INDIC I (INDO-ISLAMIC) cultural notions:
(1) Allah (one and only god) -- Muhammad as "prophet"
(rasul)
(2) Quran (sacred text or "recitation"-- along with
Judaism and Christianity,
a religion of the sacred Book)
(3) Dar al-Islam (house of Islam -- religious-cum-political
community)
(4) Shariat (law -- as found in Quran, utterances
of the prophet Muhammad
and in the consensus of the community)
(5) Mecca, Kaba (the original sacred space of the
believing community)
NEW INDIC II (INDO-BRITISH) cultural notions:
(1) Nation-state
(2) Modernization
(3) English education
(4) Christian missions
(5) Neo-Muslim and Neo-Hindu formations
From one point of view, these cultural notions or "framework principles"
are technical terms that can be learned from any glossary, but from the
perspective of our Passage to India it is important to see these
notions and principles as more than a discrete set of terms in a glossary.
It is important to see them, rather, as interacting networks of symbolic meaning or semantic fields that help us to understand the
patterns of meaning that become dominant in the unfolding history
of India’s cultures and civilizations. Moreover, these various interacting
networks of notions are cumulative over time. That is, the Old Indic
network does not disappear with the arising of the New Indic of the Indo-Islamic
nor with the New Indic of the Indo-British. Throughout the history
of the subcontinent these networks continually interact with one
another, and in this sense it becomes clear that India’s cultures and civilizations
have been continually contested over time and continue to be contested
down to the present day. "India," therefore, is not at all a single
"civilization" or "culture." It is, rather, always to be understood
as continually contested sets of civilizations and cultures.