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ReSOUND Table of Contents

Between 1982 and 2006, the Archives of Traditional Music edited and printed the quarterly journal/newsletter ReSOUND. An invaluable resource for ethnomusicologists, it covers new acquisitions at the Archives, current field recordings being made, and issues regarding the preservation of materials. It will be replaced later in 2012 with an online journal for the Archives and the disciplines it serves. A table of contents for the printed journal is listed below. These issues will soon be available through IU Scholarworks, the institutional repository for IU.

Volume 1, Number 1, January 1982

  • From the Director 
    by Ronald Smith
  • The Collection from the Comoro Islands 
    by Harriet and Martin Ottenheimer
  • The Bogoras and Jochelson Siberian Collection 
    by Louise S. Spear
  • Have a H oagy 
    by Amy E. Novick

Volume 1, Number 2, April 1982

  • From the Director 
    by Ronald Smith
  • Natalie Curtis Burlin at the Hampton Institute
  • Folk Art in Indiana 
    by Rebecca C. Rueter
  • The Chinese Collection of Dr. Berthold Laufer 
    by Marilyn B. Graf

Volume 1, Number 3, July 1982

  • From the Director 
    by Ronald Smith
  • The Ellingson Collection of Asian Music 
    by Amy E. Novick
  • The Robert O. George Collection 
    by Amy E. Novick
  • Play It Again, Sam (In the Archives Listening Library) 
    by Louise S. Spear

Volume 1, Number 4, October 1982

  • From the Director 
    by Anthony Seeger
  • Music from Malaysia 
    by Patricia Matusky and Muang Yala
  • Music in the Pine Barrens 
    by Marilyn B. Graf
  • The Sound Chest Treasures from the Archives of Traditional Music 
    by Louise S. Spear

Volume 2, Number 1, January 1983

  • From the Director 
    by Anthony Seeger
  • Oral History of Waverly Plantation and Bay Springs Cotton Mill 
    by David F. Barton and Betty J. Belanus
  • American Ethnologist Frank Gouldsmith Speck (1881-1950) 
    by Nancy Cassell

Volume 2, Number 2, April 1983

  • From the Director 
    by Anthony Seeger
  • Polynesian Music in the Old Style 
    by Richard Feinberg
  • Young But Not Necessarily Foolish 
    by Amy Novick

Volume 2, Number 3, July 1983

  • From the Director 
    by Anthony Seeger
  • The Tamburitza Tradition 
    by Richard March
  • The Surinam Collection of Melville and Francis Herskovits 
    by Marilyn B. Graf

Volume 2, Number 4, October 1983

  • From the Director - Time: Cycles and Permanence 
    by Anthony Seeger
  • The Field Recordings ofLawrence Gellert 
    by Bruce Conforth
  • Social Classification of Tuareg Music 
    by Caroline Card
  • Archives Received N.S.F. Grant 
    by Anthony Seeger and Louise Spear

Volume 3, Number 1, January 1984

  • From the Director 
    by Anthony Seeger
  • Music and Poetry from Somalia 
    by John William Johnson
  • Cylinder Recordings from Carl Lumholtz' "Unknown Mexico" 
    by Louise S. Spear
  • Recording Intellectual History 
    by Carol Inman

Volume 3, Number 2, April 1984

  • From the Director 
    by Anthony Seeger
  • The McIntosh Collection of Southern Illinois Folk Music and Folklore 
    by David H. McIntosh
  • The M.G. Chandler Collection: A Case Study for Reappraisal of Archival Materials 
    by Carol F. Inman
  • Restoring the Past: Technical Developments in Cylinder Repair 
    by Bruce Harrah-Conforth

Volume 3, Number 3, July 1984

  • From the Director - Is it Traditional? Is it Music? 
    by Anthony Seeger
  • Music from the Venezuelan Amazon 
    by Jonathan Hill
  • The Finnish Collections at the Archives of Traditional Music 
    by Carl Rahkonen

Volume 3, Number 4, October 1984

  • From the Director - Responding to an Increasing Demand 
    by Anthony Seeger
  • Recording in Cuba in 1941 
    by Harold Courlander
  • Ethnographic Anomalies in Cylinder Recordings 
    by Nancy A. Cassell

Volume 4, Number 1, January 1985

  • From the Director - We Are All Producers 
    by Anthony Seeger
  • In Pursuit of a Private Genre 
    by Judith L. Seeger
  • Westwood One Donates Radio Transcriptions of Black Popular Music 
    by Portia K. Maultsby
  • Confessions of a Collector 
    by Thomas F. Barton

Volume 4, Number 2, April 1985

  • From the Director 
    by Anthony Seeger
  • J. Russel Robinson, "The White Man with Colored Fingers" 
    by John Edward Hasse
  • A Composer's Collection 
    by Amy E. Novick
  • The Les Zacheis Jazz Collection 
    by Frank J. Gillis

Volume 4, Number 3, July 1985

  • From the Director 
    by Anthony Seeger
  • Songs of an Indiana Island: The Grecophon Record company of Gary, Indiana 
    by Steve Frangos
  • Cataloging Field Recordings on OCLC 
    by Mary Russel Bucknum
  • The Music of Indiana: A Brief Bibliography 
    by John Edward Hasse

Volume 4, Number 4, October 1985

  • From the Director 
    by Anthony Seeger
  • Recording in Alabama in 1950 
    by Harold Courlander
  • Archives to Receive Laura Boulton Collection
  • Bednarowski Jazz Collection Donated
  • Archives of the Languages of the World

Volume 5, Number 1, January 1986

  • George Harzog: Struggles of a Sound Archivist 
    by Carol F. Inman
  • The Papers of George Herzog 
    by Marilyn B. Graf

Volume 5, Number 2, April 1989

  • From the Director 
    by Anthony Seeger
  • Nambiquara Recordings, 1967-76 
    by David Price

Volume 5, Number 3, July 1986

  • From the Director - Contracts with Depositors 
    by Anthony Seeger
  • Between the Songs 
    by Ruth M. Stone

Volume 5, Number 4, October 1986

  • From the Director - Friends of the Archives 
    by Anthony Seeger
  • The Gennett Record Company 
    by Sally Childs-Helton

Volume 6, Number 1, January 1987

  • The Hoagy Carmichael Collection 
    by Mary Russel Bucknum
  • Contracts With Patrons 
    by Anthony Seeger
  • Resound, Volumes I-V Index to Authors and Subjects 
    by Marilyn B. Graf

Volume 6, Number 2, April 1987

  • Recording in Eritrea, 1942-43 
    by Harold Courlander
  • "I Didn't Know You Had It" 
    by Anthony Seeger

Volume 6, Number 3, July 1987

  • Preserving the Archives of the Languages of the World 
    by Bonnie Urciuoli
  • Speech and Music 
    by Anthony Seeger

Volume 6, Number 4, October 1987

  • Ethnographic Cylinder Recordings of Whaling Captain George Comer, part 1 
    by Nancy Cassell McEntire
  • From the Director 
    by Anthony Seeger

Volume 7, Number 1, January 1988

  • Ethnographic Cylinder Recordings of Whaling Captain George Comer, part 2 
    by Nancy Cassell McEntire
  • Help Us Review Folkways Records 
    by Anthony Seeger

Volume 7, Number 2, April 1988

  • Singing for the Audience: Aesthetic Demands and the Creation of Oral Epics 
    by Susan S. Wadley
  • On Changes and Continuities 
    by Anthony Seeger

Volume 7, Number 3, July 1988

  • From the Director - Beginning Again at the Archives 
    by Ruth M. Stone
  • Rags and Rolls: The Piano Roll Collection at the Archives of Traditional Music 
    by John McCall
  • Piano Roll Summary 
    by Nan Volinsky

Volume 7, Number 4, October 1988

  • From the Director 
    by Ruth M. Stone
  • Some New York Recording Episodes, 1940-41 
    by Harold Courtlander

Volume 8, Number 1, January 1989

  • Report from the Field Liberia, West Africa 
    by Ruth M. Stone

Volume 8, Number 2, April 1989

  • Tracking Down a Legend: Guy B. Johnson's "Lost" Cylinder Recordings 
    by Brenda Nelson-Strauss
  • An Archive as a Teaching Center 
    by Ruth M. Stone
  • Retrieving the Orson Welles' Radio Broadcasts 
    by Glenn Simonelli

Volume 8, Number 3, July 1989

  • The Laura Boulton Collection 
    by Marlena Frackowski
  • Report on a Field Collection from Sierra Leone 
    by Laura Arntson Harris

Volume 8, Number 4, October 1989

  • Greek-American Family Record Collections: Family Record Collections as Research Sources 
    by Steve Frangos
  • From The Director 
    by Ruth M. Stone

Volume 9, Number 1, January 1990

  • From the Director - Technology in the Past and in the Present 
    by Ruth M. Stone
  • Early Field Collections 
    by Mary Russell Bucknum and Marilyn B. Graf
  • Selected Recent Accessions

Volume 9, Number 2, April 1990

  • Recording on the Hopi Reservation, 1968-1981 
    by Harold Courlander
  • From the Director - The Video Revolution and Archives 
    by Ruth M. Stone

Volume 9, Number 3, July 1990

  • Field Recording in the Heat of the Tropics and in War 
    by Barbra Seitz
  • From the Director - A Century of Field Recording around the World 
    by Ruth M. Stone

Volume 9, Number 4, October 1990

  • A Musical Renaissance in Brittany 
    by Lois Kuter
  • From the Director - Changes and Development at the Archives 
    by Ruth M. Stone

Volume 10, Number 1, January 1991

  • From the Director - The Politics of Creating and Archiving Fieldnotes 
    by Ruth M. Stone
  • Ethnic Dance Music in Indiana Chosen for Selected List
  • Selected Acquisitions of 1990
  • 1990 Gifts to the Archives
  • Guide for the Deposit of Field Recordings

Volume 10, Number 2, April 1991

  • Large Record Collectors: The Unrecognized Authorities 
    by Steve Frangos

Volume 10, Number 3, July 1991

  • On The Trail of the Music Hunter: A Semester with the Laura Boulton Collection 
    by Peter R. Cooke
  • From the Director - Musical Life in Southern Africa 
    by Ruth M. Stone

Volume 10, Number 4, October 1991

  • The Last Great Indian Council: Joseph K. Dixon's 1909 Cylinder Recordings 
    by Marilyn Graf
  • From the Director 
    by Ruth M. Stone

Volume 11, Numbers 1/2, January/April 1992

  • Copyright and the Safeguarding of Folklore 
    by Isaac G. Kalumbu
  • Internet Access to the ATM Catalog
  • Archives Recordings Available on Smithsonian/Folkways
  • Laura Boulton Fellowships Awarded

Volume 11, Number 3, July 1992

  • Basing a Book on the Archives' Collections 
    by George List
  • NEH Awards Cataloging Grant to Archives

Volume 11, Number 4, October 1992

  • Paradox in the Recording and Documentation in African Music and Dance: Appropriating Motion and Action 
    by Ruth M. Stone

Volume 12, Numbers 1/2, January/April 1993

  • From the Director - Shifting Control of the Technological Media 
    by Ruth M. Stone
  • NEH Cataloging Grant Update 
    by Karen E. Jung
  • The Music Hunter's Quarry from a Trotting Horse 
    by Rick Torgerson
  • Portraits in Modern Greek Music: Roza Eskenazi 
    by Steve Frangos

Volume 12, Numbers 3/4, July/October 1993

  • Professor Mark Hanna Watkins 
    by Richard D. Ralston

Volume 13, Numbers 1/2, January/March 1994

  • From Wax Cylinders to Digital Storage: The Berlin Phonogramm Archiv Today 
    by Susanne Ziegler

Volume 13, Numbers 3/4, July/October 1994

  • George Herzog: A Contemporary Look at His Work and Ideas (part 1) 
    by Daniel Reed

Volume 14, Numbers 1/2, January/April 1995

  • George Herzog: A Contemporary Look at His Work and Ideas (part 2) 
    by Daniel Reed

Volume 14, Numbers 3/4, July/October 1995

  • Director's Parting Address 
    by Ruth Stone
  • Coming Full Circle 
    by Gloria J. Gibson
  • Visiting European Sound Archives: An Informative Field Trip 
    by Mary Russell Bucknum
  • From the Director 
    by Gloria Gibson
  • Archive Hosts Diaspora Symposium
  • International Liberia Conference

Volume 15, Number 1, January 1996

  • A Contribution to the Discourse on "Colonial Situations": Hastings Kamuzu Banda's Interaction with Ethnographers and Laypersons in America During the 1930's (part 1) 
    by Clara Henderson
  • Announcing New Boulton Archivist
  • From the Director 
    by Gloria Gibson

Volume 15, Number 2, April 1996

  • A Contribution to the Discourse on "Colonial Situations": Hastings Kamuzu Banda's Interactions with Ethnographers and Laypersons in America During the 1930's (part 2) 
    by Clara Henderson

Volume 15, Number 3, October 1996

  • Laura Boulton as Musical Raconteur, 1935-1941 
    by Frank D. Gunderson
  • Lee Nichols Visits Indiana University 
    by Mary Russell Bucknum
  • Boulton Fellows at the Archives 
    by Gloria J. Gibson

Volume 16, Numbers 1/2, January/April 1997

  • "We Come to You as the Dead": Ethnomusicology, Colonialism, and the Standing Rock Reservation 1868-1934 
    by Erik Gooding

Volume 16, Number 3, July 1997

  • International Council For Traditional Music Celebrates 50th Anniversary 
    by Mary R. Bucknum
  • From the Vault: The Latin American Collection of 78s 
    by Suzanne Mudge
  • Ronald R. Smith: His Life and My Remembrances 
    by Gloria J. Gibson

Volume 16, Number 4, October 1997

  • Reconstructing Laura Boulton's 1953 Expedition to Portugal: A Comparative Study of the Field Recordings from Cinfães and Issues of Transcription and Musical Change 
    by Luiz Fernando Lopes

Volume 17, Numbers 1/2, January/April 1998

  • The Johnny Otis Collection 
    by Andrew Funke and Peter Knapczyk
  • Archives Awarded NEH Grant 
    by Gloria J. Gibson

Volume 17, Number 3/4, July/October 1998

  • Rhythms for a Common Purpose: A Look at Laura Boulton's Ethnographical Films on the Peoples of Canada During World War II 
    by Ilze Akerbergs
  • The First Sound Recordings of Latvian Folklore 
    by Aldis Putelis

Volume 18, Number 1, January 1999

  • Happy Birthday, ATM: Ethnographic Futures of the Archives of the 21st Century 
    by Anthony Seeger
  • The Early Days of the Archives 
    by George List
  • The Life of George Herzog 
    by Gabriel Skoog
  • From the Director - Recent Events at the Archives 
    Gloria J. Gibson

Volume 18, Number 2, April 1999

  • Bessie Head 
    Interviewed by Lee Nichols

Volume 18, Numbers 3/4, July/October 1999

  • Hoagy Carmichael: A Biographical Sketch 
    by John Edward Hasse
  • From the Departing Director 
    by Gloria J. Gibson

Volume 19, Number 1, January 2000

  • Philosophy, Practice, Product, and the Public Ethnomusicology of Laura Boulton 
    by John Fenn

Volume 19, Numbers 2/3, July/October 2000

  • Laura Boulton: The Voice of an Early Public Sector Ethnomusicologist and her Publics 
    by Joan Zaretti
  • Indiana University Appoints a New Archives Director 
    by Ruth M. Stone

Volume 19, Number 4, October 2000

  • From the Director 
    by Daniel B. Reed
  • Some Comments on Class Instruction in the Transcription of Music 
    by George List

Volume 20, Numbers 1/2, January/April 2001

  • The Origins of Ethnographic Sound Recording, 1878-1892 
    by Patrick Feaster
  • From the Director 
    by Daniel B. Reed

Volume 20, Numbers 3/4, July/October 2001

  • The EVIA Digital Archive Project 
    by Alan Burdette
  • From the Director - Outreach at the ATM 
    by Daniel B. Reed

Volume 21, Numbers 1/2, January/April 2002

  • From the Arctic North to the Desert Southwest: Laura Boulton's Music Collecting Expeditions Among Native North Americans (Part 1) 
    by Christopher Geyer
  • From the Director - Music and Culture of West Africa: Out of the Archives and Into the Light 
    by Daniel B. Reed

Volume 21, Numbers 3/4, July/October 2002

  • From the Arctic North to the Desert Southwest: Laura Boulton's Music Collecting Expeditions among Native North Americans (Parts 2-4) 
    by Christopher Geyer
  • From the Director - "Our grandfathers are smiling on us today": Why Archives Matter 
    by Daniel B. Reed

Volume 22, Numbers 1/2, January/April 2003

  • In the Convivial Glow 
    by John Holmes McDowell
  • From the Director - A Return Trip to West Africa: Finding Konkoba
    by Daniel B. Reed

Volume 22, Numbers 3/4, July/October 2003

  • A Journey through Time and Tradition: Laura Boulton's Discovery of Cape Breton Fiddler Sandy MacLean 
    by Kathleen Elizabeth Lavengood

Volume 23, Numbers 1/2, January/April 2004

  • La cueca sola: An Ethnomusicologist's Perspective on the AFDD Conjunto 
    by Ramón Bannister
  • From the Director - ATM Receives NEH Grant for Sound Directions
    by Daniel B. Reed

Volume 23, Numbers 3/4, July/October 2004

  • The Influence of African American Religious Music Models on the Ghanaian Church 
    by Alexander Akorlie Agordoh

Volume 24, Numbers 1/2, January/April 2005

  • Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections (Part 1 of 2) 
    by Ronda L. Sewald
  • From the Director 
    by Daniel B. Reed

Volume 24, Numbers 3/4, July/October 2005

  • Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections (Part 2 of 2) 
    by Ronda L. Sewald
  • From the Director - We Keep Getting Busier 
    by Daniel B. Reed

Volume 25, Numbers 1/2, January/April 2006

  • Senufo Balafon Music (Part 1 of 2) 
    by Hugo Zemp