Resound

Resound is the current quarterly newsletter of the Archives of Traditional Music. An invaluable resource for ethnomusicologists, it covers new aquisitions at the Archives, current field recordings being made, and issues regarding the preservation of materials.

Resound subscription information:

Annual $25 ; Student $10
To order, please make checks payable to Friends of the Archives. Include your name, address, institution and mail with check to:

Megan Glass
Archives of Traditional Music
Morrison Hall 117
Indiana University
Bloomington, Indiana 47404-2501

Volume 1, Number 1, January 1982

• From the Director
  by Ronald Smith
• The Collection from the Comoro Islands
  by Harriet and Martin Ottenheimer
• The Bogoras and Jochelson Siberian Collection
  by Louise S. Spear
• Have a Hoagy
  by Amy E. Novick

Volume 1, Number 2, April 1982

• From the Director
  by Ronald Smith
• Natalie Curtis Burlin at the Hampton Institute
• Folk Art in Indiana
  by Rebecca C. Rueter
• The Chinese Collection of Dr. Berthold Laufer
  by Marilyn B. Graf

Volume 1, Number 3, July 1982

• From the Director
  by Ronald Smith
• The Ellingson Collection of Asian Music
  by Amy E. Novick
• The Robert O. George Collection
  by Amy E. Novick
• Play It Again, Sam (In the Archives Listening Library)
  by Louise S. Spear

Volume 1, Number 4, October 1982

• From the Director
  by Anthony Seeger
• Music from Malaysia
  by Patricia Matusky and Muang Yala
• Music in the Pine Barrens
  by Marilyn B. Graf
• The Sound Chest Treasures from the Archives of Traditional Music
  by Louise S. Spear

Volume 2, Number 1, January 1983

• From the Director
  by Anthony Seeger
• Oral History of Waverly Plantation and Bay Springs Cotton Mill
  by David F. Barton and Betty J. Belanus
• American Ethnologist Frank Gouldsmith Speck (1881-1950)
  by Nancy Cassell

Volume 2, Number 2, April 1983

• From the Director
  by Anthony Seeger
• Polynesian Music in the Old Style
  by Richard Feinberg
• Young But Not Necessarily Foolish
  by Amy Novick

Volume 2, Number 3, July 1983

• From the Director
  by Anthony Seeger
• The Tamburitza Tradition
  by Richard March
• The Surinam Collection of Melville and Francis Herskovits
  by Marilyn B. Graf

Volume 2, Number 4, October 1983

• From the Director - Time: Cycles and Permanence
  by Anthony Seeger
• The Field Recordings ofLawrence Gellert
  by Bruce Conforth
• Social Classification of Tuareg Music
  by Caroline Card
• Archives Received N.S.F. Grant
  by Anthony Seeger and Louise Spear

Volume 3, Number 1, January 1984

• From the Director
  by Anthony Seeger
• Music and Poetry from Somalia
  by John William Johnson
• Cylinder Recordings from Carl Lumholtz' "Unknown Mexico"
  by Louise S. Spear
• Recording Intellectual History
  by Carol Inman

Volume 3, Number 2, April 1984

• From the Director
  by Anthony Seeger
• The McIntosh Collection of Southern Illinois Folk Music and Folklore
  by David H. McIntosh
• The M.G. Chandler Collection: A Case Study for Reappraisal of Archival Materials
  by Carol F. Inman
• Restoring the Past: Technical Developments in Cylinder Repair
  by Bruce Harrah-Conforth

Volume 3, Number 3, July 1984

• From the Director - Is it Traditional? Is it Music?
  by Anthony Seeger
• Music from the Venezuelan Amazon
  by Jonathan Hill
• The Finnish Collections at the Archives of Traditional Music
  by Carl Rahkonen

Volume 3, Number 4, October 1984

• From the Director - Responding to an Increasing Demand
  by Anthony Seeger
• Recording in Cuba in 1941
  by Harold Courlander
• Ethnographic Anomalies in Cylinder Recordings
  by Nancy A. Cassell

Volume 4, Number 1, January 1985

• From the Director - We Are All Producers
  by Anthony Seeger
• In Pursuit of a Private Genre
  by Judith L. Seeger
• Westwood One Donates Radio Transcriptions of Black Popular Music
  by Portia K. Maultsby
• Confessions of a Collector
  by Thomas F. Barton

Volume 4, Number 2, April 1985

• From the Director
  by Anthony Seeger
• J. Russel Robinson, "The White Man with Colored Fingers"
  by John Edward Hasse
• A Composer's Collection
  by Amy E. Novick
• The Les Zacheis Jazz Collection
  by Frank J. Gillis

Volume 4, Number 3, July 1985

• From the Director
  by Anthony Seeger
• Songs of an Indiana Island: The Grecophon Record company of Gary, Indiana
  by Steve Frangos
• Cataloging Field Recordings on OCLC
  by Mary Russel Bucknum
• The Music of Indiana: A Brief Bibliography
  by John Edward Hasse

Volume 4, Number 4, October 1985

• From the Director
  by Anthony Seeger
• Recording in Alabama in 1950
  by Harold Courlander
• Archives to Receive Laura Boulton Collection
• Bednarowski Jazz Collection Donated
• Archives of the Languages of the World

Volume 5, Number 1, January 1986

• George Harzog: Struggles of a Sound Archivist
  by Carol F. Inman
• The Papers of George Herzog
  by Marilyn B. Graf

Volume 5, Number 2, April 1989

• From the Director
  by Anthony Seeger
• Nambiquara Recordings, 1967-76
  by David Price

Volume 5, Number 3, July 1986

• From the Director - Contracts with Depositors
  by Anthony Seeger
• Between the Songs
  by Ruth M. Stone

Volume 5, Number 4, October 1986

• From the Director - Friends of the Archives
  by Anthony Seeger
• The Gennett Record Company
  by Sally Childs-Helton

Volume 6, Number 1, January 1987

• The Hoagy Carmichael Collection
  by Mary Russel Bucknum
• Contracts With Patrons
  by Anthony Seeger
• Resound, Volumes I-V Index to Authors and Subjects
  by Marilyn B. Graf

Volume 6, Number 2, April 1987

• Recording in Eritrea, 1942-43
  by Harold Courlander
• "I Didn't Know You Had It"
  by Anthony Seeger

Volume 6, Number 3, July 1987

• Preserving the Archives of the Languages of the World
  by Bonnie Urciuoli
• Speech and Music
  by Anthony Seeger

Volume 6, Number 4, October 1987

• Ethnographic Cylinder Recordings of Whaling Captain George Comer, part 1
  by Nancy Cassell McEntire
• From the Director
  by Anthony Seeger

Volume 7, Number 1, January 1988

• Ethnographic Cylinder Recordings of Whaling Captain George Comer, part 2
  by Nancy Cassell McEntire
• Help Us Review Folkways Records
  by Anthony Seeger

Volume 7, Number 2, April 1988

• Singing for the Audience: Aesthetic Demands and the Creation of Oral Epics
  by Susan S. Wadley
• On Changes and Continuities
  by Anthony Seeger

Volume 7, Number 3, July 1988

• From the Director - Beginning Again at the Archives
  by Ruth M. Stone
• Rags and Rolls: The Piano Roll Collection at the Archives of Traditional Music
  by John McCall
• Piano Roll Summary
  by Nan Volinsky

Volume 7, Number 4, October 1988

• From the Director
  by Ruth M. Stone
• Some New York Recording Episodes, 1940-41
  by Harold Courtlander

Volume 8, Number 1, January 1989

• Report from the Field Liberia, West Africa
  by Ruth M. Stone

Volume 8, Number 2, April 1989

• Tracking Down a Legend: Guy B. Johnson's "Lost" Cylinder Recordings
  by Brenda Nelson-Strauss
• An Archive as a Teaching Center
  by Ruth M. Stone
• Retrieving the Orson Welles' Radio Broadcasts
  by Glenn Simonelli

Volume 8, Number 3, July 1989

• The Laura Boulton Collection
  by Marlena Frackowski
• Report on a Field Collection from Sierra Leone
  by Laura Arntson Harris

Volume 8, Number 4, October 1989

• Greek-American Family Record Collections: Family Record Collections as Research Sources
  by Steve Frangos
• From The Director
  by Ruth M. Stone

Volume 9, Number 1, January 1990

• From the Director - Technology in the Past and in the Present
  by Ruth M. Stone
• Early Field Collections
  by Mary Russell Bucknum and Marilyn B. Graf
• Selected Recent Accessions

Volume 9, Number 2, April 1990

• Recording on the Hopi Reservation, 1968-1981
  by Harold Courlander
• From the Director - The Video Revolution and Archives
  by Ruth M. Stone

Volume 9, Number 3, July 1990

• Field Recording in the Heat of the Tropics and in War
  by Barbra Seitz
• From the Director - A Century of Field Recording around the World
  by Ruth M. Stone

Volume 9, Number 4, October 1990

• A Musical Renaissance in Brittany
  by Lois Kuter
• From the Director - Changes and Development at the Archives
  by Ruth M. Stone

Volume 10, Number 1, January 1991

• From the Director - The Politics of Creating and Archiving Fieldnotes
  by Ruth M. Stone
• Ethnic Dance Music in Indiana Chosen for Selected List
• Selected Acquisitions of 1990
• 1990 Gifts to the Archives
• Guide for the Deposit of Field Recordings

Volume 10, Number 2, April 1991

• Large Record Collectors: The Unrecognized Authorities
  by Steve Frangos

Volume 10, Number 3, July 1991

• On The Trail of the Music Hunter: A Semester with the Laura Boulton Collection
  by Peter R. Cooke
• From the Director - Musical Life in Southern Africa
  by Ruth M. Stone

Volume 10, Number 4, October 1991

• The Last Great Indian Council: Joseph K. Dixon's 1909 Cylinder Recordings
  by Marilyn Graf
• From the Director
  by Ruth M. Stone

Volume 11, Numbers 1/2, January/April 1992

• Copyright and the Safeguarding of Folklore
  by Isaac G. Kalumbu
• Internet Access to the ATM Catalog
• Archives Recordings Available on Smithsonian/Folkways
• Laura Boulton Fellowships Awarded

Volume 11, Number 3, July 1992

• Basing a Book on the Archives' Collections
  by George List
• NEH Awards Cataloging Grant to Archives

Volume 11, Number 4, October 1992

• Paradox in the Recording and Documentation in African Music and Dance: Appropriating Motion and Action
  by Ruth M. Stone

Volume 12, Numbers 1/2, January/April 1993

• From the Director - Shifting Control of the Technological Media
  by Ruth M. Stone
• NEH Cataloging Grant Update
  by Karen E. Jung
• The Music Hunter's Quarry from a Trotting Horse
  by Rick Torgerson
• Portraits in Modern Greek Music: Roza Eskenazi
  by Steve Frangos

Volume 12, Numbers 3/4, July/October 1993

• Professor Mark Hanna Watkins
  by Richard D. Ralston

Volume 13, Numbers 1/2, January/March 1994

• From Wax Cylinders to Digital Storage: The Berlin Phonogramm Archiv Today
  by Susanne Ziegler

Volume 13, Numbers 3/4, July/October 1994

• George Herzog: A Contemporary Look at His Work and Ideas (part 1)
  by Daniel Reed

Volume 14, Numbers 1/2, January/April 1995

• George Herzog: A Contemporary Look at His Work and Ideas (part 2)
  by Daniel Reed

Volume 14, Numbers 3/4, July/October 1995

• Director's Parting Address
  by Ruth Stone
• Coming Full Circle
  by Gloria J. Gibson
• Visiting European Sound Archives: An Informative Field Trip
  by Mary Russell Bucknum
• From the Director
  by Gloria Gibson
• Archive Hosts Diaspora Symposium
• International Liberia Conference

Volume 15, Number 1, January 1996

• A Contribution to the Discourse on "Colonial Situations": Hastings Kamuzu Banda's Interaction with Ethnographers and Laypersons in America During the 1930's (part 1)
  by Clara Henderson
• Announcing New Boulton Archivist
• From the Director
  by Gloria Gibson

Volume 15, Number 2, April 1996

• A Contribution to the Discourse on "Colonial Situations": Hastings Kamuzu Banda's Interactions with Ethnographers and Laypersons in America During the 1930's (part 2)
  by Clara Henderson

Volume 15, Number 3, October 1996

• Laura Boulton as Musical Raconteur, 1935-1941
  by Frank D. Gunderson
• Lee Nichols Visits Indiana University
  by Mary Russell Bucknum
• Boulton Fellows at the Archives
  by Gloria J. Gibson

Volume 16, Numbers 1/2, January/April 1997

• "We Come to You as the Dead": Ethnomusicology, Colonialism, and the Standing Rock Reservation 1868-1934
  by Erik Gooding

Volume 16, Number 3, July 1997

• International Council For Traditional Music Celebrates 50th Anniversary
  by Mary R. Bucknum
• From the Vault: The Latin American Collection of 78s
  by Suzanne Mudge
• Ronald R. Smith: His Life and My Remembrances
  by Gloria J. Gibson

Volume 16, Number 4, October 1997

• Reconstructing Laura Boulton's 1953 Expedition to Portugal: A Comparative Study of the Field Recordings from Cinfães and Issues of Transcription and Musical Change
  by Luiz Fernando Lopes

Volume 17, Numbers 1/2, January/April 1998

• The Johnny Otis Collection
  by Andrew Funke and Peter Knapczyk
• Archives Awarded NEH Grant
  by Gloria J. Gibson

Volume 17, Number 3/4, July/October 1998

• Rhythms for a Common Purpose: A Look at Laura Boulton's Ethnographical Films on the Peoples of Canada During World War II
  by Ilze Akerbergs
• The First Sound Recordings of Latvian Folklore
  by Aldis Putelis

Volume 18, Number 1, January 1999

• Happy Birthday, ATM: Ethnographic Futures of the Archives of the 21st Century
  by Anthony Seeger
• The Early Days of the Archives
  by George List
• The Life of George Herzog
  by Gabriel Skoog
• From the Director - Recent Events at the Archives
  Gloria J. Gibson

Volume 18, Number 2, April 1999

• Bessie Head
  Interviewed by Lee Nichols

Volume 18, Numbers 3/4, July/October 1999

• Hoagy Carmichael: A Biographical Sketch
  by John Edward Hasse
• From the Departing Director
  by Gloria J. Gibson

Volume 19, Number 1, January 2000

• Philosophy, Practice, Product, and the Public Ethnomusicology of Laura Boulton
  by John Fenn

Volume 19, Numbers 2/3, July/October 2000

• Laura Boulton: The Voice of an Early Public Sector Ethnomusicologist and her Publics
  by Joan Zaretti
• Indiana University Appoints a New Archives Director
  by Ruth M. Stone

Volume 19, Number 4, October 2000

• From the Director
  by Daniel B. Reed
• Some Comments on Class Instruction in the Transcription of Music
  by George List

Volume 20, Numbers 1/2, January/April 2001

• The Origins of Ethnographic Sound Recording, 1878-1892
  by Patrick Feaster
• From the Director
  by Daniel B. Reed

Volume 20, Numbers 3/4, July/October 2001

• The EVIA Digital Archive Project
  by Alan Burdette
• From the Director - Outreach at the ATM
  by Daniel B. Reed

Volume 21, Numbers 1/2, January/April 2002

• From the Arctic North to the Desert Southwest: Laura Boulton's Music Collecting Expeditions Among Native North Americans (Part 1)
  by Christopher Geyer
• From the Director - Music and Culture of West Africa: Out of the Archives and Into the Light
  by Daniel B. Reed

Volume 21, Numbers 3/4, July/October 2002

• From the Arctic North to the Desert Southwest: Laura Boulton's Music Collecting Expeditions among Native North Americans (Parts 2-4)
  by Christopher Geyer
• From the Director - "Our grandfathers are smiling on us today": Why Archives Matter
  by Daniel B. Reed

Volume 22, Numbers 1/2, January/April 2003

• In the Convivial Glow
  by John Holmes McDowell
• From the Director - A Return Trip to West Africa: Finding Konkoba
  by Daniel B. Reed

Volume 22, Numbers 3/4, July/October 2003

• A Journey through Time and Tradition: Laura Boulton's Discovery of Cape Breton Fiddler Sandy MacLean
  by Kathleen Elizabeth Lavengood

Volume 23, Numbers 1/2, January/April 2004

• La cueca sola: An Ethnomusicologist's Perspective on the AFDD Conjunto
  by Ramón Bannister
• From the Director - ATM Receives NEH Grant for Sound Directions
  by Daniel B. Reed

Volume 23, Numbers 3/4, July/October 2004

• The Influence of African American Religious Music Models on the Ghanaian Church
  by Alexander Akorlie Agordoh

Volume 24, Numbers 1/2, January/April 2005

• Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections (Part 1 of 2)
  by Ronda L. Sewald
• From the Director
  by Daniel B. Reed

Volume 24, Numbers 3/4, July/October 2005

• Sound Recordings and Ethnomusicology: Theoretical Barriers to the Use of Archival Collections (Part 2 of 2)
  by Ronda L. Sewald
• From the Director - We Keep Getting Busier
  by Daniel B. Reed

Volume 25, Numbers 1/2, January/April 2006

• Senufo Balafon Music (Part 1 of 2)
  by Hugo Zemp