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Predecessors and Contemporaries
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Edgar Allan Poe. Tales. London: Wiley and Putnam,
1845.
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Edgar Allan Poe is widely credited with formulating the genre
of the modern detective story during the 1840s. His "tales of
ratiocination" featuring the detective Monsieur C. Auguste Dupin
present his detective arriving at a solution through an organized
method of detection. As Poe states in The Murders of the Rue
Morgue, "The analytical power should not be confounded with
simple ingenuity; for while the analyst is necessarily ingenious,
the ingenious man is often remarkably incapable of analysis."
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Emile Gaboriau. L'Affair Lerouge. Paris: E. Dentu,
1866.
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Emile Gaboriau established the detective story, or roman
policier in France, and like Poe, was an influence on Dr.
(later Sir) Arthur Conan Doyle. His detectives, le père
Tabaret, and Inspector Lecoq , were introduced in L'Affair
Lerouge. Although their methods utilize deduction, some
devices of melodrama are also included in Gaboriau's tales.
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Wilkie Collins. The Woman in White. 3 v. London:
Sampson Low, Son, & Co., 1860.
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In his novels of the 1860s, Wilkie Collins achieved remarkable
success with sensational fiction, most notably The Woman in
White and The Moonstone. The Woman in
White presents a mystery which makes full use of details of
Victorian society and psychology. The opening scene possibly
recalls Collins' first meeting with his mistress Caroline
Graves.
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Fergus W. Hume. The Mystery of a Hansom Cab. London:
The Hansom Cab Publishing Co., [1887]
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Although little read today, Fergus Hume was one of the
best-selling authors of detective fiction during the nineteenth
century, and was the first to sell over one half million copies
of one novel. His first novel, The Mystery of a Hansom
Cab, was initially turned down by the Australian publisher
George Robertson, who felt that Australian authors would not sell
well. The privately printed Australian first edition of 5000
copies is one of the most sought after mystery novels, with only
two copies known to be in existence. This is the London edition,
hundredth thousand.
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