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Contompasis has been a painting conservator at the IU Art Museum in
Bloomington for nearly 10 years. Contompasis, who was part of the
effort to restore the Benton nurals in the IU Auditorium, works here
on a 17th century Spanish retablo depicting "the life of the Virgin."
And now for the art history lesson.
Retablos were not originally created as art objects but were functional
items to be touched or kissed by their owners, and they were often
hung above burning candles on a home altarpiece. "Retablo" comes
from the word "retable" or "behind the altar" and refers to devotional
paintings—usually on tin-coated iron—depicting Jesus, the Virgin
Mary, saints and other religious figures. While this art flourished
during the 19th century in Mexico, it can be traced to paintings
on wood, copper and canvas from European and Mexican artists between
the sixteenth and eighteenth centuries, and there are pre-Columbian
precedents, as well.
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