Schindler's List
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Except for the bookends (its opening and closing scenes) and two other brief shots (the little girl in a red coat and candles burning with orange flames), the entire film in-between is shot in crisp black and white. The film is marvelous for the way in which it crafts its story without contrived, manipulative Hollywood-ish flourishes (often typical of other Spielberg films) - it is also skillfully rendered with overlapping dialogue, parallel editing, sharp and bold characterizations, contrasting compositions of the two main characters (Schindler and Goeth), cinematographic beauty detailing shadows and light with film-noirish tones, jerky hand-held cameras (cinema verite), a beautifully selected and composed musical score (including Itzhak Perlman's violin), and gripping performances. The screenplay by Steven Zaillian was adapted from Thomas Keneally's 1982 biographic novel (Schindler's Ark), constructed by interviews with 50 Schindler survivors found in many nations, and other wartime associates of the title character, as well as other written testimonies and sources. Oskar Schindler was an enterprising, womanizing Nazi Sudeten-German industrialist/opportunist and war profiteer, who first exploited the cheap labor of Jewish/Polish workers in a successful enamelware factory, and eventually rescued more than one thousand of them from certain extinction in labor/death camps.
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