SAVAIL examples of publications and exhibitions

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current projects

Kahn, Hilary. Envisioning Selves and Collaborations in Difference: Qeqchi Mayans of Livingston, Guatemala. Video documentary.

Maxwell, Heather. Wassulun. Digitization of field recordings.

Traditional Arts Indiana. Hindi henna painting. Slide show.

A Manual for Documentation, Fieldwork, and Preservation for Ethnomusicologists (Janet Topp Fargion, ed., 2nd edition, 2001)

professional publications and projects

Berger, Harris. 1997. "The Practice of Perception: Multi-Functionality and Time in the Musical Experience of a Heavy Metal Drummer." Ethnomusicology 41 (3): 464­488.

Berger, Harris. 1999. Metal, Rock, and Jazz : Perception and the Phenomenology of Musical Experience. Hanover: University Press of New England.

Burdette, Alan, ed. c2002. Introduction to Performance: Eight Case Studies in Performance and Culture. (Multi-media textbook).

Burdette, Alan. 2002. "The Traditionalization Process in a German American Singing Society in Southern Indiana," in Land Without Nightingales: Music in the Making of German America, edited by Philip V. Bohlman and Otto Holzapfel. Madison: University of Wisconsin Press.

Burdette, Alan. 2002. "The German American Singing Society," in American Musical Traditions, edited by Jeff Todd Titon and Bob Carlin. Smithsonian Institution / Folkways Archive of American Music. New York: Schirmer Books.

Burdette, Alan. Musical Principles Section, The Straus Expedition: Musical Instruments of West Africa CD-ROM Project , in conjunction with the Teaching and Learning Technologies Lab and the Archives of Traditional Music.

Carpenter, Inta. 1996. "Baltic Peoples: Lithuanians, Latvians, and Estonians," in Peopling Indiana: The Ethnic Experience, edited by Robert M. Taylor, Jr. and Connie A. McBirney. Indianapolis: Indiana Historical Society.

Carpenter, Inta. 1996. "Festival as Reconciliation." Journal of Folklore Research 33(2):93-124.

Carpenter, Inta. 1996. "Creating Separate Worlds of Birth through Talk." Humanities and Social Sciences Latvia 2(11):33-54.

Carpenter, Inta. 1998. "The Aesthetics of Reform: Women's Narratives about Childbirth in Latvia." Problems of Post-Communism 45(6):13-21.

Fales, Cornelia, ed. c2000. SAVAIL Working Papers.

Fales, Cornelia. 1995. “Acoustic Intuition of Complex Auditory Phenomena by “Whispered Inanga” Musicians of Burundi.” The World of Music 37(3): 3-35.

Johnson, John. 1996a. "Musico-Moro-Syllabic Relationships in the Scansion of Somali Oral Poetry," in Language and Culture in the Horn of Africa: Essays in Honour of B.W. Andrzejewski, ed. I.M. Lewis and Richard Hayward. London: School of Oriental and African Studies, University of London: 73-82

Johnson, John. 1996b. "Music and Poetry in Somalia," in Garland Encyclopedia of World Music, Volume I, Africa. New York: Garland Publishing, Inc. 610-21.

Johnson, John. 1997. "Perception and Oral Tradition: Learning Somali Oral Poetry," Paper presented at African Studies Association Annual Conference, Columbus, Ohio.

Johnson, John. c2000. "Somalia," The New Grove Dictionary of Music and Musicians. London: Macmillan .

Johnson, John. c2000. "Computer Technology and the Study of Music & Prosody: The Case of Somali Oral Performance." Proceedings of the Third International Conference of Oral Literature in Africa. University of Cape Town: Department of African Languages and Literatures.

Johnson, John. The Epic of Son-Jara: A West African Tradition. CD-ROM.

Stone, Ruth, ed. 1998. The Garland Encyclopedia of World Music. Volume 1, Africa. Garland Publishers: New York.

Stone, Ruth. 2000. "The Gbarbea Funeral," in Five Windows into Africa. CD-ROM, Bloomington: Indiana University Press.

Visions of Place Project. 1999. Monroe County Historical Society and the Activist Pedagogy Group.

dissertations

Berger, Harry. 1995. Perception in the Moral Continuum of History: An Ethnography of Metal, Rock and Jazz in Northeast Ohio (Volumes 1-2). (Ethnomusicology).

Braid, Donald. 1996. The Negotiation of Meaning and Identity in the Narratives of the Travelling People of Scotland. (Folklore).

Burdette, Alan. 1997. Celebrating Localities: Performance and Community in a German American Singing Society. (Ethnomusicology).

Hamer, Lynne. 1995. Building American History: Mediating Performances in Classroom and Community. (Folklore).

Klassen, Doreen. 1999. "You Can't Have Silence with your Palms up": Ideophones, Gesture and Iconicity in Zimbabwean Shona Women's Ngano (Storysong) Performance. (Ethnomusicology).

Prior, Daniel. (In Progress). A Cultural History of the Kirghiz Epic Tradition. (Central Eurasian Studies)

Thram, Diane. 1999. Performance as Ritual­Ritual as Performance: Therapuetic Efficacy of Dandanda Performance in Zimbabwe. (Ethnomusicology)

Turner, Rory. 1998. The World Has Gone Astray: Ethics and Community in an Igbo Village. (Ethnomusicology).

m.a. theses

Adou, Heather. 1998. The Xylophone as an Intensifier of Musical Interaction: The Bala in Minyankala, Mali. (Ethnomusicology).

Boyd, Doug. 1998. The Performance of History: Constructing Pedagogical Narratives for Public Interpretation at Sharon Woods Village. (Folklore).

Fenn, John. 1998. Ways of Moving: Kinesics and Interaction in Instrumental Performance. (Ethnomusicology).

Gilman, Lisa. Experience, Narrative and Silencing: Exploring the Concealment of Sexual Violence. (Folklore).

Hartwig, Kurt. 1998. Creativity and Innovation in Tradition: The Ceremonies Project. (Folklore).

Matiure, Sheasby. (In Progress). Multicultural Music Education: An Ethnography of Rhythm Learning and Performance of African Music. (Ethnomusicology).

Mould, Thomas. 1998. Choctaw Folktales. (Folklore).

Perullo, Ian. 1998. Malagasy and the Media: Representations and Stereotypes in Images and Texts of Malagasy Phonograms. (Ethnomusicology).

Prior, Dan. 1998. The Semetey of Kenje Kara: A Kirghiz epic performance on phonograph. (Central Eurasian Studies).

Zaretti, Joan. 1998. Multicultural Music Education: An Ethnography of Process in Teaching and Learning. (Ethnomusicology).

presentations, symposia, and videos

Transcription Symposium, Fall 2000, conducted by Jenny Colvin, Gregory Klotz, Nobuko Miyazaki, Ronda L. Sewald, Charles Sykes, and Kathleen Widden.

Fenn, John. Malawi Rap. Audio and video digitization.

Gilman, Lisa. Dance in Malawi. Fieldtape duplication.

Henderson, Clara. Rolling Away the Stone. Video documentary.


Last updated February 4, 2003
Address comments to savail@indiana.edu
Copyright 2000-03, The Trustees of Indiana University