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Foreword
Cornelia Fales

Sound: A Simple Introduction to its production, perception, and representation
Cornelia Fales

Theorizing an Acoustic Continuum Between Speech and Instruments: The Case of the Kmhmu*
Cathy Brigham

Tuvan Overtone Singing: Harmonics Out of Place
Hilary Finchum

Acoustic Characteristics of Latvian and Bulgarian Drone-Singing*
Ilze Akerbergs

Acoustic Aspects of the Balani of Mali
Heather Adou

The Match of Perceptual and Acoustic Features of Timbre over Time: "Heaviness" in Heavy Metal Music*
Harris Berger and Cornelia Fales

Perception, Transcription, and Sound: The Didjeridu
Alex Perullo

Learning Timbre: Performance Practice in a World Music Ensemble
Joan Zaretti

Glossary

Last updated February 4, 2003
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