T351 Audio / News Exercise
This exericse incorporates news gathering, audio & field
lighting. Students need to bring in 2 copies of a topic, a reporter's
on-camera opening remarks, and 3-4 questions to lab for this exercise. (This
exercise is worth 20 points.)
In groups of 2-4 you will go out & shoot newstories.
Each person in the team will need to shoot their own story. (If there
are 3 in a team, you will end up with three stories)
The person being graded
will serve as "camera/producer/editor".
The camera/producer/editor
supplies the topic, writes the intro and conclusion, and supplies the
questions. One of your partners should function as talent. While it is
difficult for you appear in your own story, you can do this if you want
to.
Assuming three
people in a group, one will hold the reflector, one will serve as the
reporter, and one will serve as the camera/producer/editor. If you have
a 4th, they can run audio. After each story is shot the group will rotate
to another position and use another story. You shouldn't spend more than
one hour on each rotation.
Shoot reporter lead-in and use the reflector to add fill light. Use
a wired or wireless lav on the reporter. Make sure the shot is framed
nicely and shoot a few takes.
Find a place with high traffic. Stop people and ask questions. Be sure
to get a written or on-camera release. ("My name is ________ _______.
You have my permission to videotape me.") Use the wireless or wired
lav on the reporter and a handheld shotgun for the interviewees. Be sure
to frame them nicely and use the reflector to add fill light.
Shoot a closing with the reporter. Make sure it's framed nicely and
has fill light from the reflector. (Shoot a few takes)
Helpful production tips (hint hint):
Shoot all of the interviewees at a MCU without the
mic or reporter in the shot. Alternate their angles (Shoot half facing
right and half facing left.) This way you can edit them together without
a bunch of reporter jump cuts. Don't forget to get releases!
You might want to shoot the reporter intro and the outro at the same
time (after you've shot the interviews).
Rotate positions and shoot the next producer's piece.
Post-production
When you are finished shooting, edit the piece that you produced and
shot. Don't worry too much about the final length- but try to keep it
under 4 minutes (5 minutes max!). The only graphic requirement is that
you have a slate that lists: the segment title, date, your name as the
producer, and the crew names and positions. (For brownie points you can
add tastefully-composed lower thirds, and other production elements.)
At the end of your piece fade to black. After the black has run for at
least three seconds, include all of the on-camera releases (or submit
copies of the signed releases along with your critique).
The following week, you should turn in:
- Edited piece on a miniDV tape. (Your name should be clearly printed
on the spine.)
- Copy of initial paperwork (Topic intro and questions
- Copy of signed releases (unless you are using on-camera releases)
- One-page critique. Consider addressing any or all of the following:
- Did you feel comfortable running audio & camera? Did your
piece end up looking and sounding good? Did the fill light from
the reflector help? Was it fun or scary stopping strangers on
the street? Did it turn out to be an interesting or quality story?
Sample topic: Are you making a difference?
Reporter open: Hunger, abuse,
poverty, and homelessness are just a few of the problems facing millions
of Americans every day. Here on the campus of Indiana University most
students are insulated from these troublesome issues. We're going to
talk to some students and find out if they are making a difference.
Questions:
- At this very moment, people are suffering from hunger, poverty
and disease. Describe how you are affected by any of these issues.
- What kind of activities have you participated in to help the less
fortunate?
- Describe how you think you or a typical college student can make
the biggest contribution.
Reporter close: (Improvise/write quick wrap up based on responses)
Back to Jim Krause's Home Page